The Bear Lake Murders 2025 - Movies (Jan 18th)
The Return 2024 - Movies (Jan 18th)
Breathe 2024 - Movies (Jan 18th)
The Magicians Raincoat 2024 - Movies (Jan 18th)
Vindication Swim 2024 - Movies (Jan 18th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Every Little Thing 2024 - Movies (Jan 18th)
The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Boonie Bears Time Twist 2024 - Movies (Jan 17th)
Love Courage and the Battle of Bushy Run 2024 - Movies (Jan 17th)
Emmas Big Adventure 2024 - Movies (Jan 17th)
Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
The Masked Singer- AfterMask - (Jan 19th)
Love Island- All Stars - (Jan 18th)
Match of the Day - (Jan 18th)
The Masked Singer - (Jan 18th)
Gladiators - (Jan 18th)
Sarah Beenys New Life in the Country - (Jan 18th)
Saturday Kitchen Live - (Jan 18th)
The Katie Phang Show - (Jan 18th)
Alex Witt Reports - (Jan 18th)
Ainsleys Fantastic Flavours - (Jan 18th)
James Martins Saturday Morning - (Jan 18th)
The Thundermans- Undercover - (Jan 18th)
Wizards Beyond Waverly Place - (Jan 18th)
The Kitchen - (Jan 18th)
When the Stars Gossip - (Jan 18th)
Raw - (Jan 18th)
The Kelly Clarkson Show - (Jan 18th)
NFL Icons - (Jan 18th)
Green Eyed Killers - (Jan 18th)
All 4 Adventure - (Jan 18th)
The thing that frequently gets me about films like this, is that we would ever have got dressed up to the nines for a evening/early morning of entertainment that is all so very rigid and regimented... The dancing routines are so very heavily choreographed and the size of the places - with a band, dancers and a spotlit leading performer - must have been most off putting for diner and entertainer alike. This one has quite a quirky storyline: Graucho Marx ("Devereaux") has just one act - Carmen Miranda - on his books but venue owner Steve Cochrane ("Steve") is looking for more, so Marx hits upon a plan whereby his star does her Brazilian samba act for some of the time, then upscales as the more elegantly alluring "Madame. Fifi" during the downtime - a recipe for a fast paced juggling act that Barnum would have been proud of. There are some gently amusing sub-plots as their success attracts Holywood producers; Gloria Jean ("Anne") tries to have her way with the unsuspecting boss and crooner Andy Russell gets a few numbers in too. As you'd expect, there are plenty of quippy one-liners from Marx, many of which still raise a smile 70-odd years later, but otherwise time hasn't really been kind to the rest of it. Miranda never did strike any chords with me; and though doubtless an hugely charismatic woman, her act was limited and her thick accent quite difficult to comprehend - it really was all about the fruit bowl with her. Both have some fun trashing the dressing room towards the end which is quite jolly, but the set-piece dancing elements are unremarkable and the story is, well, daft... Nothing not to like, really, but nothing much to remember either.
About to be married, Nisha learns that Sunder had already been married to another woman, whom he is accused of murdering. And Sunder scrambles to come up with an explanation and absolve himself.
In love with Brazil and Maria, a soap opera heroin harassed by a corrupt contractor, Abdelinho suffers parallel ordeal in Morocco by pressure of Amr Taleb, a dogmatic, moralistic priest, enforcing religious purity on the community
A series of musical performances showcasing the diverse facets of fado, a musical genre from Lisbon.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.
Life could be so sweet for Gus Vermeulen and Achille Mironval. They are partners in a cheese trade and business is good. So what they plan to do is to marry their two children so as to perpetuate this blissful situation. However two annoying facts cast a shadow over their happiness. Jean-Pierre Mironval, Achille's son, won't hear of anything connected with cheese and would rather be a jazz band leader and Gus, with his passion for spiritism, sows the seeds of discord between the two men. But all is well that ends well.
Foul-mouthed mother-from-hell Karen Matthews is fed up being a nobody, until she hatches a cunning plan for a shot at the big time. Henpecked common-law husband Craig Meehan has an unhealthy obsession with his laptop. Simple-minded uncle Michael Donovan just wants to fill the void left by his two daughters getting taken into care. Stereotypical Yorkshire copper D.I. Radgitt faces a race against time to unravel the web of lies and find the missing girl, little Shannon Matthews, aged 9.
Davey Stone, a 33-year old party animal, finds himself in trouble with the law after his wild ways go too far.
One Night for One Drop is an annual philanthropic event in which Cirque du Soleil cast and crew donate their talent and time to create a unique and breathtaking theatrical show for one night only in support of One Drop, an international non-profit organization dedicated to providing access to safe water.
The career of W. S. Gilbert, a barrister turned comic librettist, and Arthur Sullivan, a composer turned against his will to light music, who together wrote fifteen comic operas between 1871 and 1896, to great public acclaim.
"Do We Really Have to Give Up Our Day Jobs?" - A documentary about the making of the album Speak & Spell, featuring interviews with the group including former band member Vince Clarke and other relevant personnel such as Daniel Miller. It features various vintage footage, such as appearances on Top of the Pops and BBC Speak & Spell Tour recordings.