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"Instantly worthy of inclusion in the annals of classic children cinema, Kamila Andini has woven a major work of fantasy that courses with a rare humanism..." Read the full review here: http://screen-space.squarespace.com/reviews/2017/11/29/the-seen-and-unseen.html
Toni, Aghi, Bubu, and Saras get the task of making essays. They create a free school for street children but they chose to earn money than learn.
While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.
A headstrong young girl in Afghanistan, ruled by the Taliban, disguises herself as a boy in order to provide for her family.
Yahya, a village youth makes a great effort to improve his family life. A decision that will make him pay a heavy price.
Christian mission propaganda film about 'a slice of heathen life, with the bamboo bush people of Borado-Likowali'. Keli is forced to marry Wesa but has a lover in another village. This causes war to break out between the two villages and Wesa is killed. Wesa's father Meo now wants Keli to marry his other son. Keli refuses and the hostilities continue. Just when the authorities have locked up a number of troublemakers, Father Jacobs arrives. The missionary tries to win the confidence of the locals but becomes embroiled in the conflict. An assault by Meo's men leaves him dangerously wounded. The villagers stop fighting and Meo asks the dying missionary's forgiveness.
The parents of Christian girl Ria Rago have arranged for her to marry Dapo, a Muslim. She refuses and, after a beating, flees to the mission sisters who offer her a safe haven. Her father and his cronies aren't long in finding her, however, and she is taken back into the kampong. After months of torture, Ria still won't give in. She escapes again and manages to reach the mission post where she collapses. On the brink of death, she is administered the last rites. Ria's father decides to call off the marriage and returns the dowry to Dapo. On her deathbed Rita forgives her parents.
Set in the 1930s, and narrated like a ballad from the past, "The Tiger from Tjampa" tells of how a young man, Lukman, seeks to avenge his father’s murder by learning pencak silat, a traditional form of self defence, based on the movements of animals.
Scripted by four of Australia’s greatest authors (David Williamson, Thomas Keneally, Hal Porter and Craig McGregor), this quartet of carnal desires explores adultery and jealous fantasies, the end of innocence, the moral and spiritual conflicts of a priest and a nun in love. The stories define the exploration of women and the cultural upheaval of the early 70s.
Udin, a Betawi boy who loves painting, dreams of joining a competition. But his father insists he practice pencak silat like other boys his age, unaware that Udin is being bullied at the training center.
Australian journalist Guy Hamilton travels to Indonesia to cover civil strife in 1965. There—on the eve of an attempted coup—he befriends a Chinese Australian photographer with a deep connection to and vast knowledge of the Indonesian people, and also falls in love with a British national.
Coco, a Beijing modern girl wants to spend a romantic and fancy Christmas vacation in Osaka. However the place where she gets in is Shinsekai ( "New World" in English, is an old neighbourhood located next to south Osaka city's downtown "Minami " area, as known as one of the most poorest and dangerous area in Osaka.)When she arrives there, she starts feeling regret and frustrated by the encounters and the landscapes which are far beyond her expectation. Suddenly she is involved in an incident surrounds a Chinese family there, meanwhile she starts fascinated by Shinsekai through her wondering. In this short and unusual Christmas vacation, Coco discovers a "Japan " she never knows and a "China" that she is not familiar with.