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God Made The World! Man in the Wilderness is directed by Richard C. Sarafian and written by Jack DeWitt. It stars Richard Harris, John Huston, Prunella Ransome, Percy Herbert, Henry Wilcoxon, Norman Rossington and Dennis Waterman. Music is by Johnny Harris and cinematography by Gerry Fisher. "1820. The Captain Henry Expedition has completed two years of fur trapping in the unexplored Northwest territory. Determined to reach the Missouri River before the winter snows, the trappers and their boat, towed by 22 mules, struggled through the wilderness. Once on the Missouri they could sail south to the trading posts and sell their precious cargo. What occurred on this expedition is historically true." He was left for dead. He would not forget. Essentially, Man in the Wilderness is the redemptive tale of Zachary Bass (Harris). Left for dead by his unfeeling Captain (Huston) after being savaged by a grizzly bear, Bass survives the wilds of nature and the threat of man with revenge firmly on his mind. But as he recuperates and adjusts to the spiritualisation that the surrounds brings him, he looks back at his life and beliefs. It is undeniably a very slow picture, with dialogue appropriately in short supply, but the atmosphere created is perfect for the unfolding events. Strikingly the film also has a surreal quality that really cloaks the story with considerable impact, where deft touches of imagery land firmly in the conscious. The makers slot in some "bloody" moments, backed with tension, such as the well constructed sequences involving the bear attack and a time when Bass has to scare away two snarling wolves so he "also" can feast off of a stricken Bison. The presence of Indian attacks is handled with care by the director, and in fact helps the finale get away with the expected outcome. While strong moments such as two separate incidents involving rabbits really show the makers to have the best of intentions to tell a valid and interesting story. Especially when it's scenes of just Bass and nature at war. Narratively, however, it is a bit hit and miss. The pertinent question of faith and the use of flashbacks are an uneasy alliance, mostly because the former drapes the film in predictability, and the latter takes you out of the whole "man in the wilderness" struggle that Bass is luring us into. It renders the film far from flawless which is a shame because it has much to recommend a viewing. The Almería, Andalucía location is used to good effect to pass as the Northwest of America, where quite often Gerry Fisher's photography neatly shifts between beauty and the harshness of mother nature. Harris could do this type of role in his sleep, he isn't asked to stretch himself but still leaves a very favourable impression. Huston is up to scratch, but again he doesn't have to do much, while everybody else are giving performances that any other working actor of the time could have given. A movie of rewards and frustrations for sure, and it's no Jeremiah Johnson, but this is definitely worth a spin for anyone interested in the "Man Vs Nature" sub-genre of period films. 7/10
Paris, France, during the First World War. While thousands of soldiers die every day on the battlefields, Henri Landru, a seemingly respectable furniture dealer, married and father of four children, relentlessly feeds his own sinister factory of death.
An ambitious mobster plans an elaborate diamond heist while seducing the daughter-in-law of a ruthless mob patriarch as a determined police commissioner closes in on all of them.
A woman's life is destroyed when she discovers that her husband has another family.
In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.
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An awkward, telekinetic teenage girl's lonely life is dominated by relentless bullying at school and an oppressive religious fanatic mother at home. When her tormentors pull a humiliating prank at the senior prom, she unleashes a horrifying chaos on everyone, leaving nothing but destruction in her wake.
When his helicopter goes down during his fourth tour of duty in Afghanistan, Marine Sam Cahill is presumed dead. Back home, brother Tommy steps in to look over Sam’s wife, Grace, and two children. Sam’s surprise homecoming triggers domestic mayhem.
Mere seconds before the Earth is to be demolished by an alien construction crew, Arthur Dent is swept off the planet by his friend Ford Prefect, a researcher penning a new edition of "The Hitchhiker's Guide to the Galaxy."
Dara and Karan, the sons of two of the victims of dacoit Jogi Thakur, wait many years to exact their revenge. When the Thakur's colleague Raja Singh cheats him and runs away with his loot, Jogi is arrested and sentenced for life imprisonment. Years later Jogi escapes from the prison to get hold of Raja and take back his booty, but finds his face on all the posters in the village to find him dead or alive with a reward of fifty thousand rupees. When Karan gets to know Jogi has escaped he goes looking for him. Dara also join hands with Karan to even the score with the dreaded dacoit.
The dramatised story of the Irish civil rights protest march on January 30 1972 which ended in a massacre by British troops.
Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure, however after his son is witness to a killing, Mike Sullivan finds himself on the run in attempt to save the life of his son and at the same time looking for revenge on those who wronged him.