El fútbol o yo

Gabriel rents a room in Juan’s House. They work together in a Woodwork place. Gabriel is a very quiet guy and has a little daughter. Juan is a party boy who has a lots of girls around. Inadvertently the sexual tension starts to grow between them. It opens a new hidden forbidden world they have to deal with.

A gambler discovers an old flame while in Argentina, but she's married to his new boss.

Santiago, a 20 year-old twink shaped by the anonymity of the virtual world, becomes frustrated with gay dating apps and starts obsessively looking for a real experience in the Buenos Aires nightlife.

A very coquette millionaire girl runs away before her engagement and is courted by a truck driver.

Detective Douglas seeks to solve the crime of a former co-worker. Only the help of El Gaucho will be able to protect him against the plan that is coming.

El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.

Felipe a wealthy businessman who has been quadriplegic, due to an accident, is looking for a therapeutic assistant. There are several highly qualified, but he decides to take the assistant of his gardener, Tito who has decided to resign.

Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.

An all-girl band flees to Argentina to avoid their creditors. Comedy with songs.

Two friends are looking to earn easy money by gathering people to help them deposit a large sum of money in a fixed term of seven days, to live on the interests, which are higher the greater the amount deposited. This has immediate consequences on the lifestyle of the characters, who are increasingly ambitious. Portrait of the Argentine middle class in full hyperinflation, when financial speculation was the order of the day by the man in the street.