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Quite the excellent film concerning a father-son relationship across a chasm of culture and generation. I think there are not so many films about the father-son relationship, at least not that I can immediately recall, so this quite a pleasant surprise.
The story of Ace Eli Walford, a 1920s stunt flyer who barnstorms around the country, taking his eleven-year-old son Rodger with him as he goes from town to town. The place is rural Kansas, and the time is midsummer in the early nineteen-twenties, not long after World War I. Eli (Cliff Robertson), a barn storming pilot who has the emotional make-up of an 11-year-old, and Rodger (Eric Shea), his 11-year-old son who possesses the wisdom of the ancients, set off to see the world, which means flying all the way to San Willow. To Eli, San Willow seems to be as fabled as Xanadu and quite as remote. In essence, "Ace Eli and Rodger of the Skies" is about the adventures of Rodger and Eli getting from nowhere to nowhere. Eli, a killer with the ladies at first, always leaves them unsatisfied. He seems to have a sex problem. Rodger spends a lot of his time getting his dad out of scrapes. He also drinks, smokes and goes to sleep at night crying for his deceased mom.
In the supercharged world of dirt track racing, a single mistake causes the lives of two men to change forever. One must fight for his family, the other must fight to forgive.
Max is hitting puberty, and foxy Ofelia from class has touched his heart. He now plans to spend Christmas break with her or, at the very least, New Year's Eve. Watching her little boy grow up, his mother Agnete doesn't know what leg to stand on. Trying to give Max the best Christmas possible, she makes a mess of things, as usual. With his friends, Hassan and Ester, Max eventually tamps down the chaos and throws a super New Year's Eve bash. Everyone is there, and Ester seizes the moment to hook up with Max ahead of Ofelia.
The story is about a poor lorry driver named Bhaskaran (Kalabhavani Mani), who tries to give his son Kunjunni (Ashwin Thampi), a good education by sending him to a very expensive school. The rest of the story revolves around the events Kunjunni goes through in his life.
Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster's growing attraction - forbidden in his neighborhood - for a beautiful black girl.
Bored and restless, Alice spends much of her time lusting after Jim, a local sawmill worker. When not lusting after him, Alice fills the hours with such pursuits as writing her name on a mirror with vaginal secretions and wandering the fields with her underwear around her ankles. And, in true teenaged tradition, she spends a lot of time writing in her diary.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
Elderly Dastaguir and his newly deaf 5-year-old grandson Yassin hitchhike and walk, but mostly walk, as they make their way to the coal mine where Dastaguir's son Murad works. Dastaguir must tell Murad that the rest of their family were all killed in a recent bomb attack.
Set in colonial French Indochina during the 1930s to 1950s, this is the story of Éliane Devries, a French plantation owner, and of her adopted Vietnamese daughter, Camille, set against the backdrop of the rising Vietnamese nationalist movement.