War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Nominated for best documentary for the Academy in 2012. I don't know if I could be wrong but some of the the reviews here are very negative from those who live in Brazil. The point of view is valid from what people say negatively about documentaries, but I also agree with another aspect - in the same way that the impact of knowing that your painting is worth so much more than you as a person in a landfill, it also shows the perspective that things can be different if you believe and fight for it, no matter how small the fight - growing in literacy, courses, and other things that I don't think people read that changed on the lives of those shown as is stated at the end of the film. He didn't take advantage of these people's lives, I believe he had a purpose and followed through by donating the profits from sales back to them. Many times, to pursue something in life you need to have something to ignite the change in your perspective and that's what he at least tries to do, something most people don't even try (as several ones that criticize his work here). As a note, Jardim Gramacho was closed in 2012 after operating for 35 years and providing compensation to the collectors and the waste was sent to the Waste Treatment Center in Seropédica. The president of the collectors' association Tião fought for their rights, in numbers around 5,000 of them, to have investment in training for new roles in 15 years in addition to unemployment benefits and around 15 thousand reais in compensation for each one. In other words, it's not exactly like everyone returned to their previous life - or in other words, learn to research and read before giving opinions. Vik is not a dazzled one as many people try to portray him - the son of people from Pernambuco who migrated to São Paulo, he managed to attend FAAP and moved to NY in 1983 at the age of 22, speaking almost no English, after being shot in the leg by an accidental bullet while trying to help the victim of a fight at a party - took the compensation money received and went to live in suburban Chicago with a maternal aunt, working various minor jobs (as a butcher shop cleaner) until deciding to move to the East Village in NY looking for minor jobs associated with art until having their first success in 1988. Because of his dyslexia, Muniz's grandmother read him the Encyclopedia Britannica, the only book they had on the shelf. At age seven, Muniz could read but could not yet write and instead, he began to draw compulsively in his notebooks and developed a writing system that only he could understand. In 1975, at the age of fourteen, Vik Muniz earned money repairing televisions, and around the same time a teacher saw his drawings and recommended his participation in a state-sponsored arts festival held among public schools. As a result of his unparalleled talent, Muniz participated in this competition and won a partial scholarship to study at a drawing and sculpture academy (FAAP). As he recalls, his three years learning to draw and model geometric solids and nudes taught him almost everything about art. (content from arteref.com website). In other words, understanding the person's context helps to understand the work and the artist's original intention...or to learn to red what the pre credits scene did tell.
An account of the life and work of the charismatic Spanish writer Terenci Moix (1942-2003).
Before the internet. Before social media. Before breaking news. The victims of Thalidomide had to rely on something even more extraordinary to fight their corner: Investigative journalism. This is the story of how Harold Evans fought and won the battle of his and many other lives.
It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.
On an island in the Indian Ocean, the Comoros archipelago, unoccupied houses await the arrival of their owners. These places without souls and half built abound across the landscape. The myth of eternal return is repeated in the Comorian diaspora.
An in-depth documentary about the making of David Cronenberg's feature film, Cosmopolis (2012), an adaptation of Don DeLillo's novel of the same name.
A documentary exploring the rise and fall of 80s skateboard legend Mark "Gator" Rogowski.
A sensitive portrait of Sabine Bonnaire, the autistic sister of the french actress Sandrine Bonnaire.
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
For the first time ever, experience the work of a nation as it host the world and puts on a show like never before.
An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..
On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.