려행

YU Wooseong who had been working as a civil servant is on trial for espionage following his sibling’s confession. A reporter who has been laid off begins following the traces of a spy story manipulated by a government agency. The clues lead to a confession and false evidence that society and the press have turned their back on.

What happens when a group of international artists travel to North Korea to create art like the regime have never seen before? While the world is on the verge of nuclear war, a group of Western contemporary artists are invited into the eye of the storm. The aim is to collaborate with North Korean artists in a creative exchange project displaying new and challenging art in a country where abstract art is forbidden.

Combining a humorous and affectionate family portrait, a historical film and a search for identity, Defectors confronts the impact of the Korean War on different generations. Through encounters with a North Korean defector, Hyun kyung Kim reflects on her separation from her loved ones — such as her whimsical mother, whom she left behind in Korea upon moving to the United States.

When the MV Sewol ferry sank off the coast of South Korea in 2014, over three hundred people lost their lives, most of them schoolchildren. Years later, the victims’ families and survivors are still demanding justice from national authorities.

The film deals with the rights of Japanese-Koreans -born in Japan but without Japanese passport or nationality- and the social rejection that they face if they don’t integrate completely, abandoning their Korean identity. The film’s main thread is the story of a Korean man, who in the times of the Japanese occupation of the Korean peninsula, is sent to Japan to fight along with the Japanese in the Philippines, but after the war and fearing discrimination, creates a Japanese identity for himself and manages to get married and have children without his family ever knowing about his origins for 50 years until he is arrested in 1985 for forging official documents and in suspicion of being a spy from North Korea. (…) © timegoesbyin.wordpress.com/tag/i-wanted-to-be-japanese

In 2003 Song Du-yul, a philosophy professor, decides to go back to his homeland after spending thirty-seven years in Germany. Within a week after crossing the border, his reputation falls from a respected global political figure to an infamous communist spy. During a five-year-long trial, he was arrested and held in custody. This throws Korean society into turmoil and brings a big conflict between the Conservative and the Progressive parties. The filmmaker calmly contemplates this long period of the incident in detail and depicts a society with an indifferent manner. The story builds through an accretion of whimsical facts and it sometimes brings up uncomfortable truths which will irritate viewers. This film is a camera inside of us that evokes what viewers may have tried to forget.

Under the loving but firm guidance of an old fan turned director and cultural diplomat, and to the surprise of a whole world, the ex-Yugoslavian cult band Laibach becomes the first rock group ever to perform in the fortress state of North Korea.

A journey through several countries to find those who really know Kim Jong-un, North Korea's leader, in an attempt to profile a contradictory dictator who seems to rule his nation with both disturbing benevolence and cold cruelty while being worshipped as a living god by his subjects in exalted displays of ridiculous fanaticism.

Napalm is the story of the breathtaking and brief encounter, in 1958, between a French member of the first Western European delegation officially invited to North Korea after the devastating Korean war and a nurse working for the Korean Red Cross hospital, in Pyongyang, capital of the Democratic People’s Republic of Korea.