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There was a couple of instances over the course of _The House with a Clock in Its Walls_, particularly early on, that had my hopes up, but by the end? God I was so disappointed. The lead is not a great actor (often a trouble when you have to cast young), and the effects are pretty bad. The worst thing though is that _Clock in Its Walls_ can't keep its story straight, which is a pretty unforgivable sin when it's your own story. Like, you set the rules here, why are you going out of your way to break them for nothing? _Final rating:★½: - Boring/disappointing. Avoid where possible._
I was surprise about how much I enjoy this film. Jack Black and Cate Blanchett are great together in this film. The film felt like a 80s kids horror film. I would love to see more films with these characters. There are a few poop jokes which were the worst part of the film (but these jokes seem to be expected in modern kids films). I feel like this film would have cult film status in a few years.
**Fantasy and light horror are relatively in harmony, even if this is problematic for a lot of people.** I saw this movie recently and I really liked it. It's nothing original, it does what others have done equally well, but manages to entertain the public very well, and especially young people and teenagers. Alright, the movie has some scarier scenes that might impress, but they didn't strike me as unbearable. The script is based on the journey of a young orphan to his uncle's house, a former illusionist who lives in the mansion of his former partner in the show, also deceased, and who is actually really a sorcerer, even if he is not particularly gifted. The house is enchanted and the furniture and objects have a life of their own, but beyond that there is a clock hidden inside the walls, somewhere, that needs to be found to prevent something very bad from happening. The problem with films that try to harmonize comedy with light horror is that, in fact, they risk not pleasing very few people: those looking for one thing may feel uncomfortable with the other. The film, as I said, can be very appealing to young people, but the stronger scenes may make parents think twice about allowing them to see it. Jack Black is an actor I never particularly liked, not least because I only knew him from rather shallow comic films or films linked to music. This was, as far as I remember, the first of this actor's films that I liked, and it must be recognized that Black is a key part of everything in that he manages to be funny without losing the ability to look serious when necessary. Cate Blanchett is, to some extent, a surprise, she is an extremely high-rated actress that I normally associate with big productions. She's a great actress, she's excellent in this film and it's worth seeing what she's doing, especially when she appears opposite Black, with whom she seems to have established a good collaboration. Unfortunately, I didn't feel anything particularly positive about young Owen Vaccaro. Okay, he's very young and we still can't expect great work as an actor, and there are several moments when he shows signs of talent, but for now it's not much more than that. Eli Roth is not a director I particularly like. Very focused on slash horror movies, it's someone I wouldn't bet a lot on for a movie like this. Surprisingly, the director handled the task at hand with reasonable skill and competence. The film has excellent cinematography, which is solidly based on good quality CGI and a good design of the sets and costumes. The effects are also really good. I particularly liked the scene where the characters play with stars and planets in the garden of the house, and the opening sequence of the film, which is able to intrigue and conquer us. The soundtrack helps a lot, with good melodies that add to the film without stealing our attention. However, there are not only flowers here. The editing work is a little lacking, there are scenes that would benefit from being slightly shortened. The pacing also presents problems: after an excellent beginning, and before an excellent ending, the film has a whole middle part that is not so interesting, and there are several characters that were poorly used, starting with the villain, whose motivations and attitudes they are, to say the least, clichés without any kind of interest and there are, throughout the film, some disturbing scenes (the living puppets, for example) that don't seem to be in the right movie.
Army psychiatrist Colonel Kane is posted to a secluded gothic castle housing a military asylum. With a reserved calm, he indulges the inmates' delusions, allowing them free rein to express their fantasies.
During the times of King Arthur, Kayley is a brave girl who dreams of following her late father as a Knight of the Round Table. The evil Ruber wants to invade Camelot and take the throne of King Arthur, and Kayley has to stop him.
A writer's career — and entire life — suddenly goes off script when he falls prey to a dangerous web of criminals right before moving to Barcelona.
A woman and her son enlist a motley crew of so-called spiritual experts to help rid their home of supernatural squatters.
Agus and Kalis are in a romantic relationship. It's not a romantic romance, but their relationship is full of uniqueness.
In the late 16th century, after the death of Nobunaga Oda, Hideyoshi Toyotomi takes power. The age of war is about to end, but Hideyoshi Toyotomi's rule makes life difficult for the people. Monk Senko Ikenobo is a master of flower arrangement. He prays for peace in the world and tries to give hope to the people with flower arrangement. He becomes good friends with Rikyu. Rikyu is a monk and a politician. He has the most profound influence on chanoyu. Rikyu is forced to commit hara-kiri by Hideyoshi Toyotomi’s order. Monk Senko Ikenobo challenges Hideyoshi Toyotomi.
Tokunaga is an unpopular comedian. He meets a senior comedian, Kamiya, who holds a strong faith in comedy. They struggle to move forward as comedians.
Ana works in an office where the things are going very badly. One night after having dinner with nasty rich people, she has a discussion with her husband. He dissapears and then the life of Ana changes: she has incredible luck in gambling.
A modern and independent girl, but when it comes to love, the only novels in her life are those from Jane Austen's literary universe. After using a borrowed cell phone, something mysterious happens and she is transported to a different world, which resembles the 19th century. Sofia is taken in by the family of the charming Ian Clarke, while desperately trying to find a way to return to her life. What she didn't know is that her heart had other plans.
A former aristocrat Ippolit Vorobyaninov leads a miserable life in Soviet Russia. His mother-in-law reveals a secret to him - she hid family diamonds in one of the twelve chairs they once had. Vorobyaninov in cooperation with a young con artist Ostap Bender start a long search for the diamonds.
The sudden heritage, which is announced to two mercantiles, infuses their minds and begins to live richly, forgetting their previous lives.