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The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
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The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
There was a couple of instances over the course of _The House with a Clock in Its Walls_, particularly early on, that had my hopes up, but by the end? God I was so disappointed. The lead is not a great actor (often a trouble when you have to cast young), and the effects are pretty bad. The worst thing though is that _Clock in Its Walls_ can't keep its story straight, which is a pretty unforgivable sin when it's your own story. Like, you set the rules here, why are you going out of your way to break them for nothing? _Final rating:★½: - Boring/disappointing. Avoid where possible._
I was surprise about how much I enjoy this film. Jack Black and Cate Blanchett are great together in this film. The film felt like a 80s kids horror film. I would love to see more films with these characters. There are a few poop jokes which were the worst part of the film (but these jokes seem to be expected in modern kids films). I feel like this film would have cult film status in a few years.
**Fantasy and light horror are relatively in harmony, even if this is problematic for a lot of people.** I saw this movie recently and I really liked it. It's nothing original, it does what others have done equally well, but manages to entertain the public very well, and especially young people and teenagers. Alright, the movie has some scarier scenes that might impress, but they didn't strike me as unbearable. The script is based on the journey of a young orphan to his uncle's house, a former illusionist who lives in the mansion of his former partner in the show, also deceased, and who is actually really a sorcerer, even if he is not particularly gifted. The house is enchanted and the furniture and objects have a life of their own, but beyond that there is a clock hidden inside the walls, somewhere, that needs to be found to prevent something very bad from happening. The problem with films that try to harmonize comedy with light horror is that, in fact, they risk not pleasing very few people: those looking for one thing may feel uncomfortable with the other. The film, as I said, can be very appealing to young people, but the stronger scenes may make parents think twice about allowing them to see it. Jack Black is an actor I never particularly liked, not least because I only knew him from rather shallow comic films or films linked to music. This was, as far as I remember, the first of this actor's films that I liked, and it must be recognized that Black is a key part of everything in that he manages to be funny without losing the ability to look serious when necessary. Cate Blanchett is, to some extent, a surprise, she is an extremely high-rated actress that I normally associate with big productions. She's a great actress, she's excellent in this film and it's worth seeing what she's doing, especially when she appears opposite Black, with whom she seems to have established a good collaboration. Unfortunately, I didn't feel anything particularly positive about young Owen Vaccaro. Okay, he's very young and we still can't expect great work as an actor, and there are several moments when he shows signs of talent, but for now it's not much more than that. Eli Roth is not a director I particularly like. Very focused on slash horror movies, it's someone I wouldn't bet a lot on for a movie like this. Surprisingly, the director handled the task at hand with reasonable skill and competence. The film has excellent cinematography, which is solidly based on good quality CGI and a good design of the sets and costumes. The effects are also really good. I particularly liked the scene where the characters play with stars and planets in the garden of the house, and the opening sequence of the film, which is able to intrigue and conquer us. The soundtrack helps a lot, with good melodies that add to the film without stealing our attention. However, there are not only flowers here. The editing work is a little lacking, there are scenes that would benefit from being slightly shortened. The pacing also presents problems: after an excellent beginning, and before an excellent ending, the film has a whole middle part that is not so interesting, and there are several characters that were poorly used, starting with the villain, whose motivations and attitudes they are, to say the least, clichés without any kind of interest and there are, throughout the film, some disturbing scenes (the living puppets, for example) that don't seem to be in the right movie.
A magician in a carnival-who actually can read minds and levitate people and objects-works with a superintelligent chimp named Alex, who can also talk. The magician and the chimp soon become the stars of the carnival, drawing in big crowds. However, the wild-animal trainer, who has been displaced by the team as the carnival's top act, decides to kidnap Alex and sell him to a medical laboratory for experimentation, thereby getting rid of his competition.
When the Snow Queen, a lonely and powerful fairy, kidnaps the human boy Kay, his best friend Gerda must overcome many obstacles on her journey to rescue him..
Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious granddaughter, and another grandson living just above the poverty line.
A free-spirited psychiatrist exudes a magnetic attraction for patients with out-of-the-ordinary neuroses and odd conditions brought about by stress.
Spain, 1953. Pedro Zaragoza, mayor of the city of Benidorm, in the province of Alicante, by the Mediterranean Sea, visits the Palacio del Pardo, General Franco's residence in Madrid, to ask him for help, in the hope of solving a very delicate problem.
A Tree of Palme is an interpretation of the Pinocchio tale. It concerns a small puppet, Palme, who was tasked by his creator to look over his ailing wife, Xian. After her passing, Palme is visited by a mysterious woman who he mistakenly believes to be Xian. Shaken out of his sadness, Palme accepts her request to deliver something special to a far-off place known as Tama. This sets Palme off on a journey to discover his own emotions, and what it truly means to be human.
As a desperately uninspired band struggles to come up with an original song, their lead singer unexpectedly finds inspiration in a curious house that appears to have a mind of its own.
Six thousand years before Sora and Shiro were even a blink in the history of Disboard, war consumed the land, tearing apart the heavens, destroying stars, and even threatening to wipe out the human race. Amid the chaos and destruction, a young man named Riku leads humanity toward the tomorrow his heart believes in. One day, in the ruins of an Elf city, he meets Schwi, a female exiled "Ex Machina" android who asks him to teach her what it means to have a human heart.
With the Wizard and the entirety of Oz framing her as wicked, Elphaba’s righteous crusade comes into conflict with Glinda’s struggle for power. As a mysterious cyclone brings in an unwitting young outsider, the former friends will soon discover how much their actions have changed each other, and all of Oz, for good. The second part of a two-part feature film adaptation of the Broadway musical phenomenon.
Russia, 1835. Lieutenant Hermann, a compulsive gambler, is fascinated by an infallible martingale held by Countess Tomski, nicknamed The Queen of Spades. The day Hermann wants to wring the secret from her, the countess dies of fear. Following this tragic scene, Hermann sinks into dementia. Luckily, Lisa, his frail lover, brings him back to life and happiness.