The Journal

An alcoholic mother trying to flee her life, moves to a new house with her young son where she must battle her addiction as she is confronted by a real-life monster.

Having failed to get into graduate school, with no girlfriend, no money, and no prospects of success with his band, Tsurugi's life has reached rock bottom. One day, after watching the video of Aya Matsuura's song “Momoiro Kataomoi”, he becomes obsessed with the idol singers of “Hello! Project”, and plunges into the idol geek lifestyle. However, as time passes, he and his buddies all find other things just as important as the idols and begin to move on.

In an effort to get his late father's signature recipe, Rindu is assisted by Rendi, his father's former sous-chef. Desperate, Rindu intends to quit, until Rendi becomes furious because he feels betrayed.

3 women are happy and busy raising their boys named Yu. Due to some little thing, their lives fall apart. Their anger and anxiety unconsciously head towards their sons Yu.

Baffling serial killings unfold in which the victims are tied up and left to starve. Tone was just released from prison after finishing his sentence for another crime, and he surfaces as a suspect but detective Tomashiro can't nail down conclusive proof.

Yasuo (Hiroshi Abe) grew up as an orphan. He married a woman he loved and they had a son Akira (later played by Takumi Kitamura). Yasuo's life seemed great at the time, but his life totally changed after his wife died in accident. Since that time, Yasuo, who never experienced parents' love himself, has to raise his son Akira alone.

A romantic drama that revolves around childhood friends Eric, Gemma and Ponsie. Eric is the weak, fickle minded playboy, Gemma is the pretty tomboy, and Ponsie on the other hand is their gay friend. Vivian wants Eric as her boyfriend, and Gemma promises to make it happen. However, along the way, Eric and Gemma end up falling in love.

Told episodically and bordering between the fictional and the documental, the film intimately interweaves the life stories of young women who no longer have a real home with their own families. They are given refuge in a temporary youth home, where they and their carers bond to form a new family. La Mif is a safe haven for wounded protagonists who do not spare themselves or others.

Hanging out with friends, smoking a lot, spinning bottles and kissing, making mistakes, playing, refusing to accept, dreaming with open eyes - life as a teenager can be overwhelmingly beautiful and difficult at the same time. In her debut, the Ukrainian director composes a deeply emotional and multi-layered portrait of a generation whilst seamlessly flowing between the fictional and the documental.

What could be a beautiful fairy tale for some - boy meets girl - could also be the beginning of a horror film for Faruk. The young man is crushed between the dark world of his criminal cousins in Sarajevo and the discovery of love. The film powerfully visualises and contrasts a harshness and tenderness experienced and dreamed.