Gabriela Silang

Two filmmakers try to create a film venturing on the life of Jose Rizal. Before they do that, they try to investigate on the heroism of the Philippine national hero. Of particular focus is his supposed retraction of his views against the Roman Catholic Church during the Spanish regime in the Philippines which he expressed primarily through his two novels Noli Me Tangere and El Filibusterismo. The investigation was done mainly by "interviewing" key individuals in the life of Rizal such as his mother Teodora Alonso, his siblings Paciano, Trinidad, and Narcisa, his love interest and supposed wife Josephine Bracken, and the Jesuit priest who supposedly witnessed Rizal's retraction, Fr. Balaguer. Eventually, the two filmmakers would end up "interviewing" Rizal himself to get to the bottom of the issue.

Dedicated to the valiant Boholano hero Francisco Dagohoy, this film shows the real causes that impelled the Dagohoy Uprising.

Set in Spanish colonial Philippines. Pedro is tasked to wed a wife whilst his activist friend is considering him to join the revolution. Through a raunchy and campy path of winning the love of his life, Pedro is met with a daunting revelation.

This film reenacts the martyrdom of the Gomburza, high-lighting the events and occurrences prior to their execution. The movie focuses on the story of Fr. Jose Burgos and his involvement in the Cavite Mutiny of 1972.

A musical docudrama about the brave and outstanding Women of Malolos to whom Jose Rizal addressed his famous letter in Feb 22, 1898.

A short film about Antonio Luna’s aides-de-camp Jose and Manuel Bernal during the aftermath of Luna’s assassination.

A film about Andres Bonifacio.

Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.

Pedro Calungsod, a young Filipino man, leaves his Visayan native roots to join the Spanish Jesuit priest Fr. Diego de San Vitores in his mission to the Marianas Islands (Guam) in 1668. The San Diego Mission arrives in the Marianas where the young Pedro, a trained catechist and mission assistant, begins work for Fr. Diego de San Vitores in baptizing the Chamorro natives, preaching the holy gospel and spreading the good news of salvation through the Christian faith amidst paganism, doubt and disbelief. Despite the longing for his father and the threats to their lives, even at the peril of death, Pedro and Fr. Diego continued their missionary work. They roamed the dangerous islands and baptized many more natives and continued to enlighten them about Christianity.

A disillusioned and suicidal Rizal, a cross-dressing Bonifacio gripped with paranoia, an ex-Katipunero who joins the US army to save his own neck, and a widow whose sex-for-food errands lead her to become the first ever Makapili. These are the historical mosaics that will form a singular hypothesis as to why we are like this as a people and up to now still reeling from our damaged culture.

JEEPNEY visualizes the richly diverse cultural and social climate of the Philippines through its most popular form of mass transportation: vividly decorated ex-WWII military jeeps. The film follows jeepney artists, drivers, and passengers, whose stories take place amidst nationwide protest against oil price hikes that pressure drivers to work overseas to earn a living, far from their homes for years at a time. Lavishly shot and cut to the rhythm of the streets, JEEPNEY provides an enticing vehicle through which the rippling effects of globalization can be felt.