White Walls Say Nothing

Bitter Rivals illuminates the essential history - and profound ripple effect - of Iran and Saudi Arabia's power struggle. It draws on scores of interviews with political, religious and military leaders, militia commanders, diplomats, and policy experts, painting American television's most comprehensive picture of a feud that has reshaped the Middle East.

Docudrama about a young graffiti artist in suburban Saint Petersburg, Russia

Follows the young people of Selma, Alabama's RATCo (Random Acts of Theatre Company) as they journey to New York City to share their story of hope, resilience, and overcoming.

Narrated by Uncle Jack Charles and seen through the eyes of Indigenous prisoners at Victoria’s Fulham Correctional Centre, this documentary explores how art and culture can empower Australia's First Nations people to transcend their unjust cycles of imprisonment.

The artistic treasures of the National Gallery of Art are beautifully explored.This video is ideal for anyone who desires a lasting portrayal of this glorious art museum.

Following multiple scandals surrounding Canada’s hockey infrastructure and its dishonest leaders, a generation of young athletes find themselves facing a moral dilemma. Frédérique describes her exit from the game.

Deputy General Secretary at the Elysée to candidate for the presidency of the Republic, the novice in politics went from the shadows to the light in a very short time. For 200 days, our cameras followed him behind the scenes of his campaign and his exceptional ascent. For eight months we were the only ones allowed to follow the candidate Emmanuel Macron with our camera behind the scenes of this exceptional campaign. From the announcement of his candidature until his election on May 7, we propose you an exclusive documentary allowing you to live from inside the campaign of Emmanuel Macron in the manner of a political thriller.

Re-framing the U.S. gun violence debate from Second Amendment rights to public health prevention.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.

20 years after the fall of the Wall, the economic crisis prevails. In the ruined peripheral areas of West Germany, resentment towards the new federal states is growing. The consequences of decades of uncontrolled transfers from West to East are now clearly visible: while the zone has the highest density of water parks in Europe and the East German cities are being pimped out with designer street lighting, entire city archives are collapsing in the run-down West and weeds are sprouting up on the pothole-strewn streets. The times when Merkel was still locked away behind the Wall and the Federal Republic was in full bloom are long gone. The former people's parties SPD and CDU are just as incapable of acting as the fun party FDP, only Die PARTEI continues to gain popularity and now has over 8,200 members. Is it Germany's last resort?