The New York Hardcore Chronicles Film

One neighborhood in New York City, March 2020: the coronavirus is spreading rapidly, the federal government is clueless, and life seems increasingly surreal. A month later, the city has become an epicenter of the pandemic as the death rate spirals upwards. Then the racial justice protests erupt... Strange Days Diary NYC is an intimate account of living through a disruptive, frightening, yet inspiring time.

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

A 120-participant tableau vivant by Sarah Small.

The work draws an abstract image of a human that has internalized the images and stories of the world of advertising. A woman is sitting in front of a camera telling a story about an experience she had. Even though she is able to describe the events in great detail, the story also seems to be unlikely or implausible.

The history of the Yakuza Eiga at the TOEI studio is roughly outlined. Real Yakuza and also their connections to the movie business are discussed, and many important actors and directors of the genres are interviewed. Former real yakuza boss turned actor Noboru Ando, Takashi Miike, Sonny Chiba and many more get a chance to speak.

Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.

CD duration is 72:46. Live From Brixton Academy 8 April 2011. Approx DVD running time: 137 minutes. DVD9/Picture format 16:9 / NTSC Region 0 Audio: Stereo & 5.1 Surround Sound Comes in a digibook.

An impressionistic, graphic history of one of the world's most infamous streets: Manhattan's 42nd Street. Likened to a DNA strip of New York City, the street has ranged from the glamorous to the derelict, housing everything from peep shows to such international institutions as the United Nations. The documentary is an exploration of the street's expansion from the farmland where Washington bivouacked his troops to the flashy, commercial center that it is today. With historical information, musical performances and personal narratives, the film traces the rise, subsequent dilapidation, and eventual resurgence of a street that has come to represent a place where, notoriously, anything may and has happened.

The Pogues playing on St. Patrick's Day in London's Town and Country serves to remind fans why we loved the band and possibly why their breakup was inevitable. A thoroughly sloshed Shane MacGowan mumbles and screams his way through most of their hits to that point in time. Of course, real fans like the mumbling and the screaming. Lots of energy, great guests - The Specials, the late Kirstie MacColl and especially the late great Joe Strummer - who not only gets up on stage for a stirring rendition of London Calling, but serves as a kind of host for the evening as he discusses what made the Pogues so great. The video times in at a paltry 60 minutes which leaves you begging for more, but between the singalong Wild Rover and the silly string silliness of Fiesta, it is a jam-packed entertaining piece of music history.

Ben Stiller, Mike Myers, Seth Meyers and Michael Ian Black have a roundtable comedy discussion.