CODA

An experimental short from Oskar Fischinger

A medieval writer attracts the attention of Death itself while he writes his stories. Soon Death enters a tale he is creating and attempts to kill his main protagonist.

In a desolate future, one small town has survived because of a large windmill dam that acts as a fan to keep out pollution. The dam's operator, Pig, works tirelessly to keep the sails spinning and protect the town, despite abuse from classmates and an indifferent public. When a new student joins Pig's class, nothing will be the same again.

With the help of her delivery-boy friend, Dilili, a young Kanak, investigates a spate of mysterious kidnappings of young girls that is plaguing Belle Epoque Paris. In the course of her investigation she encounters a series of extraordinary characters, each of whom provides her with clues that will help her in her quest.

The earth shook. The sea roared. And then… There is a small house solitary standing by the seaside. A young girl has been living there alone since that fateful day. Mail is no longer delivered, but even this morning, she’s hanging out the laundry as usual. She’s unaware that all around her, the clothes pegs are quarreling, the pillow argues with the umbrella about the outside world, and the new toothbrush is unsuccessfully trying to charm the grumpy older ones. Do objects exist to be used until they are consumed or broken? Are they afraid of being thrown away once their life cycle is complete? A delicate story of hope in a cruel and gentle world after an unnamed disaster.

At her father’s request, Coline returns to her childhood bedroom to sort through her belongings. The various objects she finds remind her of childhood memories that stick to her and that she will finally accept to leave behind…

My name is a “cockroach”. I was called that from childhood.

A stop-motion short film about a seahorse that is swept away from its coral reef and must survive the journey home.

El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.

A young llama named Koro discovers that the grass is always greener on the other side (of the fence).

Koro wants to get to the other side of the road.