وقت ناهار

Two police officers struggle to survive when they become trapped beneath the rubble of the World Trade Center on September 11, 2001.

Frustrated, because he is forced to produce bad TV-shows, a manager of a TV-station, enters the station and manipulates the ratings, to initiate a TV-revolution.

Maggie, a quiet retiring grandmother, finds herself helpless as her grandson’s health deteriorates. When one last chance appears, but money is desperately short, Maggie acts to raise the cash in a fashion that surprises everyone but her.

A thrifty, cash-strapped neurotic visits a funeral home to try to negotiate a buy-one-get-one-free deal on burials.

Two sisters and their male counterparts struggle with the negative influences of their youths over a 50-year period.

On the occasion of a dance competition a young ballet dancer is in a foreign place. Alone in his hotel room loneliness overpowers him, until he meets a stranger on the run.

Three criminals pledge to free the soul of their friend from his gibbeted corpse in this short film based on 'The Highwayman' by Lord Dunsany.

A doctor (Vishnuvardhan) falls in love with his student (Suhasini) but fails to tell her about his feelings. When he finally musters courage to tell her she tells him that her marriage is fixed to Jai Jagadeesh. Vishnuvardhan cannot forget her and slowly withdraws into a shell. Meanwhile, Jai Jagadeesh starts suspecting his wife because she gives importance to hospital and starts misbehaving with her. Suhasini discovers that Vishnuvardhan is terminal and may not survive for long. She starts taking more care of him in hospital. This frustrates her husband even more and he fights with Vishnuvardhan. Suhasini goes home to explain to her husband but discovers that her husband has abused the maid. She decides to leave him but Vishnuvardhan tries to convince her husband that his relationship with Suhasini is pure. Jai Jagadeesh misbehaves with Vishnuvardhan and Suhasini gets hurt while trying to make sense with her husband. Finally Vishnuvardhan dies saving her baby.

Armand is a pickpocket. In stealing a camera, he did not expect to discover his portrait, pris sur le vif.

Two sisters in a bathroom debate their different approaches to the patriarchy.

Short film directed by Sandy Johnson