Chris Brown: Welcome to My Life

Sam Schmidt lived out his boyhood dream as an IndyCar racer, winning races and earning the title of IndyCar "Rookie of the Year" along the way. That dream came to an abrupt end when Sam crashed into a wall at 200 miles per hour, leaving him a quadriplegic. Reengineering SAM pulls the curtain back and shows up close the serious implications of a life of paralysis on Sam and everyone around him. Sam's accident rendered him physically helpless, never being able to brush his teeth, much less drive again, until a dedicated group of some of the brightest minds today stepped up to build him a car that he could drive, using only his head. Through groundbreaking adaptive technologies, Reengineering SAM chronicles Sam Schmidt's inspirational road back to the Indianapolis Motor Speedway and shows the promise of freedom and mobility for almost anyone confined to a wheelchair.

An examination of the how television news in the US has covered war from Vietnam to the present day

Georges Livanos, nicknamed the Greek but pure child of Marseille, amateur mountaineer, opened more than 500 routes in the Calanques, 40 in the Dolomites, and repeated many of the greatest routes in the Alps in the company of the best climbers of his time, d friends, and especially his wife Sonia. He is also the author of the classic "Beyond the vertical". This report follows for a day the legend, still 71 years old, of his apartment in the Marseille city in the Calanques. As a true Provençal, he speaks without filter of the exploits that made him famous, gives his opinion on modern climbing and on life in general: the portrait of a great climber and above all of a fascinating character with a sense of humor sharp.

This short documentary tells the story of one of the world’s most difficult and bizarre sporting events: The Barkley Marathons. This 100-mile footrace and its 60-hour time limit force athletes to run, crawl and climb an elevation gain equivalent to two treks up Mt. Everest. In nearly thirty years, only fourteen runners, out of over one thousand participants, have finished The Barkley.

The exiled Austro-German musician and composer Artur Schnabel was a giant of his time, but in Germany today he is nearly forgotten. Pianist and Schnabel devotee Markus Pawlik (in collaboration with baritone Dietrich Henschel and the Szymanowski String Quartet) brings Artur Schnabel's greatest compositions back to Berlin with a filmed commemorative concert. Along the way, Pawlik visits the places, landscapes, and history that shaped Schnabel's life and music. "Artur Schnabel: No Place of Exile" rediscovers an essential artist displaced by the catastrophe of the two World Wars and the Holocaust and inspired by the possibilities of modernism.

After being shot during a robbery in Colombia and losing sensation in his legs, Uruguayan soccer star Alexis Viera finds a new sense of purpose.

The film accompanies the Swiss artist Pipilotti Rist around the world, shows her at work in her studio in Zurich as well as at the Museum of Modern Art in New York. Since she won the Duemila Prize at the Biennale di Venezia in 1997, Pipilotti Rist is an internationally recognized and renowned artist. For the first time, she lets a documentary filmmaker into her world, providing insight into her creative process, the development of projects and the collaboration with her team.

Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.

A documentary highlighting the Soviet Union's legendary and enigmatic hockey training culture and world-dominating team through the eyes of the team's Captain Slava Fetisov, following his shift from hockey star and celebrated national hero to political enemy.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?