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"Set between modern-day Italy and the fantastical realm just beyond, ‘Wonderwell’ is a coming-of-age fairy-tale that follows Violet (Kiera Milward), a naive and inquisitive 12-year-old girl, on a thrilling adventure with Hazel (Fisher) and Yana (Ora) that will transform her life forever. ‘Wonderwell’ was filmed in Rome and Italy during the winter months. It is produced by Fred Roos (The Beguiled, The Godfather: Part II), Alexander Roos (Music, War and Love), Vlad Marsavin, Orian Williams (Control), Lee Rudnicki (Snowchild) and Robert Bernacchi (Snowpiercer). Kenji Katori (Spectre, I Hate Love) served as the film’s cinematographer." Wonderwell follows in the tradition of Alice in Wonderland, In the Company of Wolves, Labyrinth, Pan's Labyrinth, and Mirror Mask. Yet it jumps right over any subtleties and barges right into behaving like an inebriated bull in a china shop when it comes to metaphors involving young girls, coming of age, puberty, and sexuality. Who was this film for? How did they get Carrie Fisher roped into this? Why is this the last film she ever did and why is that such a shame. The music composition is splendrous but one expects no less from Angelo Badalamenti who has composed music for two of David Lynch's films; Mulholland Drive and Twin Peaks. The score was without a doubt the very best aspect of Wonderwell. The cinematography was also extraordinary. The cast seems to have done their best with what they had to work with. Maybe Wonderwell would have been better if it instead focused on an 18 year old coming of age in the adult world (as the story so clearly yearns for), maybe this film would be good if it didn't hyperfocus on the "flower" of puberty, guzzling the venom of purity culture and at the center of it all A Twelve-Year-Old "losing her flower". I ask again who was this movie for? Due to a few one liners Wonderwell seems to be an attempted feminist piece but it fumbles throughout. It follows the American Beauty format of displaying young girls scantily clad (in this film it targets the modeling industry) & then judges them harshly for it. An antiquated approach for a film in 2023. Wonderwell seems like a film that caters to middle-aged men who view young girls as sexual objects yet demand their innocence to be prevalent. If I had a time machine I would go back & skip over this film to better preserve Carrie Fisher's memory. How did they even get her to recite some of those lines? Was it blackmail? To say that I hated this film is an understatement, even to say that I loathed it doesn't feel like quite enough of a descriptor for how dismal of an experience this viewing provided. Maybe we as a society have moved on from the need of men telling coming of age stories about little girls.
Spin the bottle. Get stuck in a small room with the person you hate the most for seven minutes. Deal with his egotism. At the end of the timer, neither of you is going to see the other the same.
Set during a sultry summer in a French suburb, Marie is desperate to join the local pool's synchronized swimming team, but is her interest solely for the sake of sport or for a chance to get close to Floriane, the bad girl of the team? Sciamma, and the two leads, capture the uncertainty of teenage sexuality with a sympathetic eye in this delicate drama of the angst of coming-of-age.
A small suburban town receives a visit from a castaway unfinished science experiment named Edward.
Two men answer the call of the ocean in this romantic fantasy-adventure. Jacques and Enzo are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men. As Enzo persuades a reluctant Jacques to compete against him in a free diving contest - determining who can dive deeper and longer without scuba gear - Jacques meets Johana, a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea.
At an elite, old-fashioned boarding school in New England, a passionate English teacher inspires his students to rebel against convention and seize the potential of every day, courting the disdain of the stern headmaster.
After moving to a new town, troublemaking teen Jim Stark is supposed to have a clean slate, although being the new kid in town brings its own problems. While searching for some stability, Stark forms a bond with a disturbed classmate, Plato, and falls for local girl Judy. However, Judy is the girlfriend of neighborhood tough, Buzz. When Buzz violently confronts Jim and challenges him to a drag race, the new kid's real troubles begin.
When two poor Greasers, Johnny and Ponyboy, are assaulted by a vicious gang, the Socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
The streets of the Bronx are owned by '60s youth gangs where the joy and pain of adolescence is lived. Philip Kaufman tells his take on the novel by Richard Price about the history of the Italian-American gang ‘The Wanderers.’
After learning that a boy their age has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie, Vern, Chris and Teddy encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.