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Roy Wood Jr. tackles freeway protests, examines the origin of the blues, and explains why the Confederate flag is sometimes helpful.
Mark Normand has been told the same advice his whole life: DON'T BE YOURSELF, whatever you're thinking about saying, don't. So in his first one hour special, Mark does just that.
Comedian Ari Eldjárn pokes fun at Nordic rivalries, Hollywood’s take on Thor, the whims of toddlers and more.
Filmed in front of a sold-out hometown crowd in New York City, "SMD" is the first Comedy Central stand-up special from Saturday Night Live's Pete Davidson. The special is filled with Davidson's unfiltered, brutally honest anecdotes about smoking a Snoop Dog amount of weed, texting his mom d* pics, and his issue with male porn stars. From his stint in "prehab" to this one time at a Justin Bieber concert, Davidson proves that even at 22, he and his friends have had some high times and heavy experiences.
In his third one-hour special, Kyle Kinane talks about why his girlfriend doesn’t need to worry about him cheating, reveals the whitest thing he’s ever said, and explains why you have to keep fashion in mind if you insist on carrying a gun.
Lewis Black taps into his signature outrage and frustration as he tackles the economy, local government, and the 2016 Presidential election.
The comedy icon sounds off on parenting with her French wife, the perils of public bathrooms and why she's tired of going high when others go low.
American viewers may know him best as the British correspondent on "The Daily Show," but John Oliver is also an accomplished stand-up comic. In his first Comedy Central special Oliver tackles the topics that perplex him about the United States. He takes well-aimed shots at the American political process and the invasion of Iraq (including how the Brits would have done it differently), and argues for reparations from the Revolutionary War.
Jumping around from musing about the disappointment of Kinder Surprise eggs to medieval porn to men's tendency not to admit ignorance to a brilliant take-off of Chris de Burgh, which comes out of nowhere. Yes, Bailey lacks an inherent structure-unlike Harry Hill or Al Murray-so you could walk in half way through and not miss any underlying subtleties.
One night from his 1996 Cosmic Jam tour at the Bloomsbury in London in which Bill explains the seminal influence of cockney knees-up music upon classical composers through the ages and takes a shot at Bryan Adams.
