The Trouble with Girls

After joining the Skulls, Ryan Sommers (Robin Dunne) is warned not to betray any secrets about the organization or its high-powered members. However, when Ryan witnesses a murder within the Skulls' private chambers, he finds that the closer he gets to revealing the truth - the more dangerous life becomes.

In the arctic, as Saiva is being born, a shaman declares that she is evil and will bring harm to all who become involved with her. Saiva is cast out of her tribe of herders and grows up to live a nomadic existence with Anja, a young woman she adopts as an infant. Then Loki, an injured and starving soldier, stumbles into their isolated lives. The women nurse him back to health, but treachery, violence and doom await them all.

Claire is under the grip of a mysterious new cult called Faults. Desperate to be reunited with their daughter, Claire's parents recruit one of the world's foremost experts on mind control, Ansel Roth.

Bertram Pincus, a cranky, people-hating Manhattan dentist, develops the unwelcome ability to see dead people. Really annoying dead people. Even worse, they all want something from him, particularly Frank Herlihy, a smooth-talking ghost, who pesters him into a romantic scheme involving his widow Gwen. They are soon entangled in a hilarious predicament between the now and the hereafter!

Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".

This film tells the tale of the Harper Affair, in which young Jimmy Harper finds his life of promise turn into a life of debauchery and murder thanks to the new drug menace marijuana. Along the way he receives help from his girlfriend Mary and Jesus himself, but always finds himself in the arms of the Reefer Man and the rest of the denizens of the Reefer Den.

After the death of his mother, a man tries to discover a meaning to his life, to the universe and to rebuild a relationship with the only family he has left: his gay brother.

After squandering his grant money, despondent and recently widowed anthropologist James Krippendorf must produce hard evidence of the existence of a heretofore undiscovered New Guinea tribe. Grass skirts, makeup, and staged rituals transform his three troubled children into the Shelmikedmu, a primitive culture whose habits enthrall scholars. But when a spiteful rival threatens to blow the whistle on Krippendorf's ruse, he gets into the act as well.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.