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Dimension 20 - (Feb 20th)
The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
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Green Eyed Killers - (Feb 20th)
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Australia on Fire- Climate Emergency - (Feb 20th)
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Storyville - (Feb 20th)
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_Crazy Rich Asians_ is not really my type of movie, I don't go in much for romcoms, and I don't think I'm fully on board with some of the messages it's trying to put out there. But I can appreciate that it's very well made, culturally very important, and even kind of endearing. _Final rating:★★½ - Not quite for me, but I definitely get the appeal._
Crazy Rich Asians expends its expensive mahjong skills to produce a hilarious heartfelt insight into a familial cultural clash. Romantic comedies. The amalgamation of two genres that exercise the very worst tendencies of Hollywood’s mechanical repetitions. Modern romcoms follow the same formulaic narrative structure and embed the same interpretive clichés. Y’know what I’m talking about. Boy and girl fall desperately in love, something/someone comes between them, they fight, break-up and embrace each other again, to the accompaniment of Coldplay or Ed Sheeran, when they realise that “they are the one”. All the same mundane clichés that fail to exert the writing capacity to take those mechanisms and overload them with ferocious energy. Well, Chu’s adaptation of the eponymous best-selling novel battles that. He consumes the cliché-ridden narrative structure of a romcom and transforms it into a cultural depiction of Asian traditions, juxtaposing the values of American immigrants, whilst still bashing the familiar beats of “boy meets girl”. And let me tell you now, this is without a doubt, the best romcom since ‘Bridesmaids’. I loved it! Rachel is invited by her new boyfriend Nick to Singapore to meet his family who are attending a wedding, but without realising Nick’s family is one of the wealthiest, infamous and superficial in the country. Chu tackles several poignant themes and morals within this two hour romantic comedy, whilst retaining a sufficient amount of investable character development and hilarity. Yes, the underlying story between Rachel and Nick is a predictable ordeal, but much like any film within the genre, acts as the backbone for the additional qualities. One of them being the exploration into Asian culture, particularly the continent’s cuisine, highlighting the traditions that contrast with the typical audience member. I cautiously read somewhere, that Crazy Rich Asians was the “whitest romcom featuring a non-white cast”, which is an absolute barbaric statement to form. The predominant cast and crew were all of Asian descent. Just because the film was confounded within the Hollywood system, does not discredit the contents of its insight. Overtly politically correct viewers bumbling about a non-issue. I’m sure ‘Black Panther’ didn’t receive the same criticism from them. Anyway! I digress. The point is, Chu allows the illustration of traditions and values to be accessible for everyone. However it’s not just a cultural clash. Wealth and public image are two contributing factors to the spiky relationship between Rachel and and Nick’s family. Yet neither one of them are viewed as the antagonistic force of the plot. Every character is treated as a delicate human, with sufficient back story and development, to warrant their choices and actions. A sub-plot involving an affair could’ve been a “how dare you!? We’re over!” situation, but Chu manages to present the reasoning of the immoral act and add that subtle layer of empathy. You understand. You feel. You reflect. And there are several poignant moments throughout, like this, that elevate the contextual values that are insightfully divulged. Of course though, Awkwafina provides the majority of laughs, demonstrating the creative humour of writers Chiarelli and Lim whilst showcasing her own excellent comedic timing. Conversely, Wu and Yeoh focus on levelling the comedy with romance and drama respectively. They do so with blinding results. Expressing a variety of emotions, participating in tantalising chemistry and bringing their A-game (their...acting game...). The lavish ‘Great Gatsby’ parties and genuinely beautiful weddings, that performed a rendition of my all-time favourite romantic song “Can’t Help Falling In Love With You” by Elvis “Hound Dog” Presley, nearly brought a tear to my eye with the astounding production design. Minor nuances such as the pop soundtrack, including Coldplay, sung in Mandarin, dumplings being everything and my eternal yearning for marriage, rounded off the rough edges of Crazy Rich Asians smoothly. It is absolutely refreshing to see a high-ticketed American produced romcom have an entirely Asian cast and crew, granting several new opportunities for those involved. It is absurdly reassuring to witness a cliché-ridden and formulaic narrative of the genre be fully exploited in a wonderfully entertaining story that harnesses every angle available. Yet most importantly, it’s a colossal piece of entertainment that can legitimately be enjoyed by everyone. Crazy fun, rich in characters and quintessentially Asian. More please!
**Crazy Rich Asians doesn’t reinvent the rom-com formula but adds rich characters, cultures, and locations taking this rom-com to the next level.** Crazy Rich Asians is an incredibly well-done rom-com that follows the typical rom-com blueprint but diverges by exploring cultures other than the frequent American setting. Learning more about Singapore and its people and customs added an intriguing layer to the film. Crazy Rich Asians boasts an absolutely stacked cast with Constance Wu, Henry Golding, Michelle Yeoh, Gemma Chan, Awkwafina, Ken Jeong, and more. With all that talent, it’s no wonder that Crazy Rich Asians is a top-notch romantic comedy with beautiful locations, hilarious laughs, heartfelt moments, and more.
Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious granddaughter, and another grandson living just above the poverty line.
Melissa Gilbert stars in this film adaptation of Danielle Steel's bestselling novel, in which a young girl named Pip and her mother meet an artist on the beach in Safe Harbour, where they have retreated in order to recover from the devastating loss of Pip's father and brother.
A free-spirited psychiatrist exudes a magnetic attraction for patients with out-of-the-ordinary neuroses and odd conditions brought about by stress.
Six thousand years before Sora and Shiro were even a blink in the history of Disboard, war consumed the land, tearing apart the heavens, destroying stars, and even threatening to wipe out the human race. Amid the chaos and destruction, a young man named Riku leads humanity toward the tomorrow his heart believes in. One day, in the ruins of an Elf city, he meets Schwi, a female exiled "Ex Machina" android who asks him to teach her what it means to have a human heart.
A romantic story of a young nobleman who sees a beautiful girl at the carnival who seems familiar to him. He feels that he saw her in an old castle, where only the old countess and sister live. It is precisely in their salon in the city that she meets the girl again and learns her history
With the Wizard and the entirety of Oz framing her as wicked, Elphaba’s righteous crusade comes into conflict with Glinda’s struggle for power. As a mysterious cyclone brings in an unwitting young outsider, the former friends will soon discover how much their actions have changed each other, and all of Oz, for good. The second part of a two-part feature film adaptation of the Broadway musical phenomenon.
A poor composer sells his songs to a music publisher who attributes them to his son, who sells them to a famous singer. Seeking the son, the musician's daughter will unexpectedly find a job as secretary to the singer, disguised as an unattractive and authoritative woman who effectively controls his careless lifestyle.
After closing his agency Alibi.com and promising Flo that he would never lie to her again, Greg's new life became quiet, too quiet... Not for long! When he decides to propose to Flo, Greg is up against the wall and has to introduce his family. But with his crooked father and his ex-charm actress mother, this could ruin his future union. He has no choice but to reopen his agency with his former accomplices for an ultimate Alibi and to find more presentable fake parents.