Busby Berkeley: A Journey with a Star

How do humans and animals see each other? Dominique Loreau captures astonishing exchanges of “views” between people and animals who coexist in the city, in farms, slaughterhouses, zoos, museums, or in a dance rehearsal room. In The Eyes Of A Beast questions the permeable boundary between man and animal.

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.

Actors from Warsaw's garden theatres dance a traditional Polish dance, cracovienne.

A place to be at night in São Paulo.

Les Miserables is the world's best-loved musical. It has been seen by 57 million people and in 2010 celebrated its 25th anniversary with its two largest ever productions at London's O2 Arena. Matt Lucas, a lifelong fan of 'Les Mis', was invited to fulfil his dream of performing in these shows alongside more than 300 stalwarts from previous productions. This documentary tells the story of a musical that many thought would fail, but which became a worldwide phenomenon with unforgettable songs like I Dreamed A Dream. We follow Matt as he prepares for the performance of a lifetime, we hear from those involved with the show's creation, including Cameron Mackintosh and Michael Ball, and of course we enjoy wonderful moments from the show itself.

When he arrives in Saint Petersburg, at the age of 29, Marius Petipa is just an obscure dancer who fled western Europe to escape his debts. He is far from imagining that his engagement in the troupe of the Russian Imperial Ballet, then rather mediocre, will reveal him, forty years later, as one of the greatest choreographers in the history of dance. It is within the Bolshoi Kamenny theaters, then Mariinsky, in a still provincial capital where three productions a year are enough to satisfy an undemanding audience, that this native of Marseille will invent a new art of ballet, over the course of sixty of creations, between 1862 (La fille du pharaon) and 1895 (Le lac des cygnes).

When former child star Aaron Schwartz (Mighty Ducks, Heavyweights) returned to the acting world as an adult, he found himself always being asked this recurring question: 'how is he still normal having been a child star?' After seeing one too many sensationalized 'where are they now' publications he began to notice that being a child actor carried with it a stigma that seemed impossible to break. Aaron explores why the Stigma of being raised in Hollywood exists, and why child stars are so often misunderstood.

15 years after they first took the world by storm, a new musical about the girls called Viva Forever! is about to hit the West End. The programme looks at the creative process behind the show that is produced by Judy Craymer and written by Jennifer Saunders in collaboration with the Spice Girls themselves.

In 2009, students of all walks of life at the Arts & Learning Children's Conservatory in Anaheim, CA set out to produce their own live musical parody version of Star Wars: Episode V - The Empire Strikes Back (1980), as interpreted through their young talents. Follow the young actors, artists, musicians (and a few supervising adults) as they audition, rehearse and perform their take on this classic film.