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In order to learn how to be responsible, two wealthy teen sisters are forced to work in the family business by their exasperated father. When company funds goes missing, it's up to the girls to save the day.
A father's takes his estranged son on a fishing trip as a way of bonding, but when the car breaks down he realises it's not the only thing that needs fixing.
"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud
Fallen whale carcasses, abundant in the deep-sea, form ecosystems of their own. As it decomposes, different stages support a succession of marine biological communities. It is these complex and fascinating stages that are here explored.
A portrayal of the life of one of the most important samba musicians in Brazil, Bahian sambista Oscar da Penha, popularly known as Batatinha (1924 -1997). Through memories of their father, his nine children share their perspectives, as well as interviews with family, friends and musicians, to tell the story of Batatinha’s life, history and work.
It isn't easy to find a dream to chase when you're young, but Mugiko has one: she can't wait to become an anime voice actress. Saving up for classes while she works part time in a manga store, she lives with her older, gambler brother after her father's death. When the mother she never knew turns up out of nowhere and moves in, it only causes irritation for the aspiring otaku. But when her mother just as quickly disappears, it leaves Mugiko (or "Sweet Pea") searching for answers, bringing her back to her mother's hometown to discover what happened to her mother's own dream.
The Kitades run a butcher shop in Kaizuka City outside Osaka, raising and slaughtering cattle to sell the meat in their store. The seventh generation of their family's business, they are descendants of the buraku people, a social minority held over from the caste system abolished in the 19th century that is still subject to discrimination. As the Kitades are forced to make the difficult decision to shut down their slaughterhouse, the question posed by the film is whether doing this will also result in the deconstruction of the prejudices imposed on them. Though primarily documenting the process of their work with meticulous detail, Aya Hanabusa also touches on the Kitades' participation in the buraku liberation movement. Hanabusa's heartfelt portrait expands from the story of an old-fashioned family business competing with corporate supermarkets, toward a subtle and sophisticated critique of social exclusion and the persistence of ancient prejudices.
Rafael is the oldest brother of a close family belonging to generation of Olimpia Soccer club fans, he is in charge of managing the family's mini market. Due to his brothers mistake, he receives an eviction notice from the bank, and decides to pose as a lawyer to solve the case.
Twelve-year-old Iwo lives in a small, post-communist town that is home to the old and destroyed Black Mill – once a place of work for many parents. Breaking the promise to not approach the old mill, the children accidentally unleash its evil powers. From that moment, nothing will ever be the same again as people and things start to disappear.
Recently widowed Mary Bassett and her three children have hit difficult times on their farm. Suddenly, Mary’s wealthy and estranged mother Isabella comes to visit upon receiving a devious letter from the eldest daughter. Mary resents her mother’s attempts to help them out of their financial difficulties. In the end, more than money will be needed to heal deep wounds and rampant scarlet fever.