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A flatulent sketch show that breaks wind on all the cringeworthy situations where you're just desperate to let one rip.
"Hello! Hello you! May I give you a kiss?" Finally, Stefan Jürgens, Olli Dittrich, Tanja Schumann and Mirco Nontschew from the "RTL Saturday Night" ensemble invite you again to the action weeks at "Kentucky Schreit Ficken".The word twisters from the slightly different restaurant became a comedy cult in the 90s. This DVD contains the concentrated load from both "Kentucky Schreit Ficken" seasons with over 30 sketches. Also included: The official "Kentucky Scream Ficken" dictionary for home use, a bonus sketch with, among others, the freaks from "Far Out", and outtakes! We fucked that up!"
Harry Belafonte and Sidney Poitier travel down memory lane to see what life was like back in the 1920s. Harry Belafonte introduces this musical, written by poet and playwright Langston Hughes, which pays tribute to Harlem in the 1920's. Sidney Poitier provides commentary on the era throughout the program, and George Kirby and Nipsey Russell portray various Harlem characters. Program highlights include: Gloria Lynne singing "Good Ol' Wagon"; Brownie McGhee singing "Let the Deal Go Down"; Diahann Carroll singing "Nobody Knows You When You're Down and Out"; Sammy Davis, Jr., singing and tap dancing to "Doin' the New Low Down"; Joe Williams singing "Nobody Knows the Way I Feel This Morning"; and Duke Ellington performing "Sophisticated Lady" with a sextet.
A pilot for a sketch comedy show. A single stationary camera was mounted inside the center of a large rotating platform. As the platform rotated around the camera, a scene would come into view of the camera. The wheel would stop and a sketch would play out in the scene, which was often framed by some piece of appropriate artwork or prop (for the purposes of forced perspective). At the end of the scene, the wheel would rotate, carrying one scene out of the camera's view and bringing another in, and a new sketch would begin in the new scene. Some scenes were self-contained on the platform, while others were open to the studio beyond the platform (and additional action would take place in the background).
A collection of Monty Python's Flying Circus skits from the first two seasons of their British TV series.
A series of loosely connected skits that spoof news programs, commercials, porno films, kung-fu films, disaster films, blaxploitation films, spy films, mafia films, and the fear that somebody is watching you on the other side of the TV.
Everyone has 'moved on', except for Sherman and Jim Levenstein's still understanding father. Little Matt Stiffler wants to join his older brother Steve's business and, after everything Matt has heard from Jim's band-geek wife, he plans to go back to band camp and make a video of his own.
The Mad, Mad, Mad Comedians is a 1970 American animated television special produced by Rankin/Bass Productions. After the Christmas special Frosty the Snowman (1969), it was Rankin/Bass' second hand-drawn animated work to be outsourced to Osamu Tezuka's Mushi Production in Tokyo, Japan. The show aired on ABC on April 7, 1970 before the airing of that year's Oscars. It was a tribute to early vaudeville, and featured animated reworkings of various famous comedians' acts.
A town is terrorized by killer clamps! It's up to the chief of police, a scientist and the girl next door to stop this nightmare.
