Aliw, Masarap na Lason

Criminal womanizer Toño Bicicleta is still being persecuted by the law, but cannot ignore his hunger for new blood. Any false move could mean the difference between life and death.

Ronald, an eight year-old biracial boy, sees his life turning upside down after witnessing the brutal murder of his mother by his father. Often moved from one foster home to the next, Ronald is recruited by a street gang where he dwells in a life of crime and violence. As he waits for his father to be released to avenge his mother, he realizes that he doesn't have to follow his father's footsteps or the path chosen for him. Against all odds, he takes control of his own destiny. His awakening to new humane values enables him to change change course despite the obvious risk of losing the only family he has ever known.

Journalist Laura works at home, isolating herself from others. While she lies to her mother and brother, Raul, on the phone about having an active social life, Laura's days consist of gazing at her neighbors, eating canned food and going to clubs to bring home strangers. As the anniversary of her father's death draws near, Laura develops a relationship with Arturo, a charismatic actor who shares her taste for rough sex.

Set amid the European community in an unspecified North African country, a colony on the verge of nationalism just before the war. And colonized is what happens to a French diplomat, Julien Rochelle, when he meets the mysterious beauty Clothilde de Watteville. Schmid 's favorite axiom, that love is projection, never had such a thorough airing. Is Clothilde really the wife of a French official now holed up in Siberia? Or is she Hecate, goddess of black magic and devourer of the Arab boys she meets far from the European quarter? Only our projections know for sure; for the rest, she is a "woman looking out into the night." Drawn from a novel by Paul Morand, who based the main character on his wife Helene, Schmid's film achieves an atmosphere of magic in which psychological credibility is not so much absent as irrelevant-a film that distances itself from the drama it invokes, perhaps as the elusive Clothilde turns her back on the madness she provokes.

Fed up with her present lifestyle, and more particularly sexually unsatisfied by her boyfriend Fred, Sandrine decides to find a new way in life. Intrigued by her friend Sophie, who tells her about her sexual experimentations, she will find, through various encounters, new pleasures and new experiences, whether physical or spiritual.

A journalist with solid mob connections falls for a stripper with a dark past.

On Ibiza, tour rep Brad is determined to win the informal competition among the male reps to sleep with as many female clients as possible, while his friend Mikey is looking for true love.

Mario, a rich and eccentric war hero befriends Marco, a loner with a sailboat, and takes him home to meet his estranged wife Cleofe and sexually repressed sister in law Matilde. Mario confesses his love for Matilde and so ensues a love triangle.

Ruby is a young part-time stripper who wallows in drugs, sex, and other excesses in meaningless existence. When Ruby gets entangled with a local drug dealer O-Rock in her apartment, she seduces him, takes his drug stash, and splits. This leads to a series of events with increasingly dangerous consequences.

An investment planner, bored with his job and his girlfriend, is given the opportunity to help open a new firm in South America. Once in the new country, he finds himself dealing with dictators and revolutionaries during a time of intense political upheaval, and to complicate his life further, he begins an affair with his new employer's wife.

In the midst of a mid-life crisis Jan, a 40 year old dancing teacher, decides to instigate a revolution against himself. His first act is to summon each of his four lovers, who are unaware of each other, to join him at the dance studio where we assume he is a tutor. His revelations to the women prompt a discourse about love and the fleeting nature of happiness. But when he comes to the fourth and final woman, he finds that his own philosophy of love is not as easy to apply as he had presumed. He realizes that the more the contemporary world has become sexually oriented the farther it has moved away from love...