Highway Thru Hell - (Feb 26th)
Rocky Mountain Wreckers - (Feb 26th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Beyond the Gates - (Feb 26th)
Win or Lose - (Feb 26th)
Wildcard Kitchen - (Feb 26th)
WWE NXT - (Feb 26th)
FBI - (Feb 26th)
7 Little Johnstons - (Feb 26th)
Kitchen Nightmares - (Feb 26th)
The Rookie - (Feb 26th)
Road Rage - (Feb 26th)
Renovation Aloha - (Feb 26th)
The Real Housewives of Beverly Hills - (Feb 26th)
St. Denis Medical - (Feb 26th)
The Irrational - (Feb 26th)
Hudson and Rex - (Feb 26th)
Good enough. It doesn't come close to Disney's other film from the 1990s featuring Mark Twain's Huckleberry, 'The Adventures of Huck Finn'. In fairness, this one is more about Tom Sawyer than Huck, which is pleasing given they already portrayed Huck just two years prior. The actor who depicts the latterly named character is Brad Renfro, who isn't all that to be truthful; he's fine, just not memorable at all. Jonathan Taylor Thomas, meanwhile, plays Tom and he is, probably, the best part of this production. He's cheekiness works well for the role. Elsewhere, Eric Schweig (Injun Joe) makes for a decent bad guy. I like the vibe of 'Tom and Huck', I think it could've done without the love story but that doesn't hamper things much. I would say the film goes at a slower pace than I would prefer, it particularly drags ever so slightly towards the end. Still, I rate it... mostly thanks to Mr. Thomas.
**A (much) smaller production from the Disney repertoire that everyone forgot.** No one can deny the quality and relevance of Mark Twain's work, even those who, like me, were never attracted to his books. Yes, I have never read Twain's books, even though they are available in good translations into my mother tongue. I never felt the desire or curiosity. This film takes advantage of two of its most important characters: Tom Sawyer and Huckleberry Finn, two boys full of personality. However, it's the only thing it takes advantage of, creating an entirely new story for them. It may not seem like it, but it is a film with Disney's approval. It is a film aimed at a teenage audience, with some maturity, and therefore has some violence and already addresses normal themes among teenagers, such as dating. The story created for the film is good enough for the effect it is, and for the film in question, but it is clear that the studio did not waste a lot of time or spend a lot of money on this production. On a technical level, the film meets the minimum requirements, but does not deliver anything beyond that. Overall, the film is good enough to entertain us, but it is unlikely to leave a lasting memory in anyone's mind. It is absolutely forgettable, so much so that, nowadays, no one remembers it. Jonathan Taylor Thomas and Brad Renfro are the duo of young actors who lead the cast, and they are really the only ones to deserve a certain type of prominence for the work they have developed. Eric Schweig and Michael McShane do smaller jobs, but they are the most valuable adults. The rest of the cast is an anonymous and indistinct mass like a ballet nucleus, moving and circulating without wanting our attention.
Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity's greatest potential-only those who can conquer their fear will survive.
In addition to the two-part television version of the film, a shorter version was installed to show the film, entitled “Sherlock Holmes in the 20th Century.” In this installation version, in particular, the entire plot of the story “Bruce-Partington Drawings” was deleted. A film version was released before the premiere of the full (two-part) television version of the film.
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind and water. It is cold enough to crack stones and, when the snow falls, it is gray. Their destination is the warmer south, although they don't know what, if anything, awaits them there.
Private eye Varg Veum is on a routine mission searching for his client Jonas Andresen's stolen car. The car is found having been used in a brutal robbery and not long after that the client himself turns up dead.
The story of an Icelandic man and his slow descent into madness. Along his journey he meets Dagný, the initial cause of his breakdown. Other people he meets in the asylum have been committed for various reasons, such as signing cheques for Adolf Hitler and, believing themselves to be writing songs for the Beatles and telepathically transmitting to the band.
A classical art professor and collector, who doubles as a professional assassin, is coerced out of retirement to avenge the murder of an old friend.
Coral Atkins, a British soap star of the 1970s, becomes deeply affected by the plight of children from troubled homes. Against considerable odds, Coral harnesses her celebrity to launch a crusade to establish her own home to care for the children. Based on the memoirs of Coral Atkins.
In a poor Estonian village, a group of peasants use magic and folk remedies to survive the winter, and a young woman tries to get a young man to love her.
Portsmouth, 1794. Under thundery skies and in lashing rain, 17-year-old midshipman Horatio Hornblower takes the first tentative steps of his naval career, but a feud with a shipmate causes complications.
A decade-long novel, "Three Ways to Survive in a Ruined World", gains one devoted reader, Kim Dok-ja. As reality mirrors the book's premise, Dok-ja's in-depth understanding becomes his key to survival.
Based on Michael Chabon's novel, the film chronicles the defining summer of a recent college graduate who crosses his gangster father and explores love, sexuality, and the enigmas surrounding his life and his city.