Wild West

The arrival of the telegraph put Pony Express riders like John Blair and his pal Smoky out of work. A race will decide whether they or stageline owner Drake get the government mail contract.

Johnny Mack Brown is sent to the badlands to round up an elusive outlaw gang.

It is now an accepted fact that the best of Johnny Mack Brown's Universal westerns were directed by the talented Joseph H. Lewis. Boss of Hangtown Mesa may not be in the same league as the Brown-Lewis classic Arizona Cyclone, but it comes awfully close. This time around, hero Steve Collins (Brown) comes to the aid of Betty Wilkins (Helen Deverell), who has taken over the telegraph-line business established by her uncle John (Henry Hall). The latter was murdered by outlaws who don't cotton to having the territory linked up electronically with the rest of the world.

Not to be confused with the 1929 film The Overland Telegraph, this Western from director Lesley Selander stars Tim Holt as a cowboy appropriately named Tim Holt. In order to hinder the construction of a new telegraph line for his own financial gain, scheming shopkeeper Paul Manning (George Nader) enlists the assistance of a gang of outlaws led by Brad Roberts (Hugh Beaumont in one of his many pre-Leave it to Beaver roles). Unfortunately for the bad guys, Holt and his cohort Chito Rafferty (Richard Martin) sense that there's foul play afoot and embark on an investigation.

Billy Carson and Fuzzy Jones have just collected a reward and Fuzzy indulges in a dream of getting away from the hectic life he has been leading and wants to settle down. They arrive in Red Rock just as the newspaper is being sold at foreclosure and, despite the attempts by Lafe Barlow to intimidate him from bidding. Fuzzy finds himself the owner of a newspaper. Fuzzy meets Edith Martin, daughter of the former owner, and unthinkingly commits himself to carrying on her father's policy of bringing a telegraph line to Red Rock. For reason of his own, Barlow is against this and has his henchmen wage a campaign of terror against the ranchers and citizens. Before long, Billy who had been lazily indifferent to everything connected to Fuzzy and his newspaper, decides to take a hand on the side of the good guys.

To increase profits for his shipping company, Lynch has goaded the Indians to attack both the telegraph line and the new railroad. When Lynch sells rifles to the Indians, Rod Farrell captures Lynch and his gang. But Lynch's Indian friends free him and this time Farrell finds himself the prisoner.

Though Don "Red" Barry is the star of Jesse James, Jr., he plays a character named Johnny Barrett. The scene is a small western town, lacking telegraph service. Every time the locals try to set up communications with the Outside World, they are thwarted by an outlaw gang.

In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement ("unrueh") of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.

Buckley is an unethical reporter who manipulates the news for his own benefit as much as he reports it. When he is in Paris to get a medal for being rescued from his alleged kidnappers, he finds that his boss, Stevens, at the Chicago Globe is going with his old gal Dolly. When Stevens learns that Dolly is staying with Buckley in Moscow, he fires Buckley. To get his job back, Buckley and Lefty stage a great news story about the shooting of the last Romanoff, but the plan backfires and they are now in line to be shot by the Commissar.

A telegraph postal union worker has no luck when asks a pretty co-worker to marry him. She says he'd have to be a magician to get her to say yes. Things are complicated when, as a favor to a stuttering acquaintance, he takes his overweight girlfriend to the movies to propose to her by proxy. Unfortunately the pretty co-worker spots him with her in the theater, so he begins to learn magic tricks.

Clint Barkley first sees Smoky as a runaway, and drives him back to the ranch where he meets the owner, Julie Richards. He is given a job on her ranch, but the head cowhand is doubtful about Clint and fears that since he refuses to talk about himself, he must have some dreadful secret in his past. Clint and Smoky become close to each other, weathering the hardships of Western life and the suspicions of others together, until one day, Smoky tragically vanishes. Will Clint ever see him again?