True Crime Presents - (Feb 14th)
Lets Make a Deal - (Feb 15th)
Love Island- All Stars - (Feb 14th)
Yorkshire Air 999 - (Feb 14th)
The Last Leg - (Feb 14th)
Gogglebox - (Feb 14th)
Deadline- White House - (Feb 14th)
Death in Paradise - (Feb 14th)
Katy Tur Reports - (Feb 14th)
Four in a Bed - (Feb 14th)
The Good Ship Murder - (Feb 14th)
Chris Jansing Reports - (Feb 14th)
The Kelly Clarkson Show - (Feb 14th)
Piers Morgan Uncensored - (Feb 14th)
Bargain Hunt - (Feb 14th)
Richard Osmans House of Games - (Feb 14th)
Would I Lie to You - (Feb 14th)
Deal or No Deal - (Feb 14th)
The Tucker Carlson Show - (Feb 14th)
Ice Road Rescue - (Feb 14th)
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
A poetic and beautiful tribute to the city of Bergen, Norway. Based on archive footage from the last century and packed with Bergen music from Grieg to Vaular.
Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.
A historical overview of Sisak, the city on three rivers, from the Roman era to the post-WWII industrialization.
Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noche explores those same histories from the point of view of an insider, as a lived experience that is evocatively mirrored through ripped and torn celluloid.
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
A Texan begins a cross-country journey in hope of finding the empty loft she keeps seeing in visions.
Rotterdam 2040 is a film about the city’s future, departing from the principle of Gyz La Rivière that you can’t look ahead without considering your past (something that hasn’t always been Rotterdam’s strongest feature). At high speed, La Rivière reconstructs the history of Rotterdam from the time before the bombings until now, and expands the developments to the year 2040 (100 years after the bombing and the 700th anniversary of the city). La Rivière made a specific choice to expose his personal vision, which is sometimes radical or a little absurd. So no experts and no talking heads, but an assault of old and new imagery, held together by La Rivière as the narrator of the film. Although Rotterdam 2040 deals with architecture and urban renewal, it is actually a film about people. The subjective experience of the city by its (future) occupants mainly determines the parade of architectural blunders and suggestions for the future. All tongue-in-cheek of course.