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**A film with some merits, even if it is far from the quality of the first “Dragonheart”.** After more than a handful of films, the “Dragonheart” franchise, which was carried in the arms of producer Rafaella de Laurentiis, has yet another launch. There are no great merits to point out, other than the fact that it is supposedly a prequel to the first film. The script is basically more of the same: we go back to a very remote period in the history of England, right after the end of the Roman Empire, to a place somewhere where there were dragons and a small monarchy, where a country boy ends up becoming king by being recognized as the son, never assumed, of the late local sovereign. The boy has a connection to a dragon, assumed by the marks he carries on his back, but this connection is incomplete, and it is when the kingdom is invaded by Vikings that he realizes the reason: his sister, who he thought was long dead, has returned to claim the kingdom for herself by being born a minute before her newly crowned brother! This is what I call a narrow margin win! Despite the fact that the story has absolutely no trace of originality, and that the successive and poor sequels have never even been able to match the first film, I can say that this was the film that I liked the most, right after the original, but far from it. The fight between brothers is an additional point that worked well in the plot, even if it is very silly to think that a series of Vikings will adopt a baby in a basket just because. The film features some actors who deserve a positive mention, starting with Sir Ben Kingsley, who once again voices the dragon with skill and talent. The work of Tom Harries and Jessamine Bell can be the target of some criticism, neither of them is particularly skillful, but the truth is that both managed to decently disentangle themselves from the challenge that was in their hands. The massive CGI used by the film also seems to me to be more effective, better introduced and more elegant than anything that has been used previously (except the original work, obviously). The dragon that was presented here is good, it works well and the way it behaves and interacts with humans is well imagined. What really goes wrong with this film is the amount of bad costumes, bad make-up and the excessively fanciful way in which the Middle Ages, in a very concrete and distant period, were portrayed.
The terrible and trecherous Pendragon plans to gain the throne of Cornwall by getting the king to abdicate and to marry his lovely daughter. To help him he has his dreadful witches in his castle and his almost unstoppable sorcery. A giant under his control abducts the princess, but on the way home with her the giant meets farming lad Jack who slays him. This is only the beginning.
The tale of the brave warrior Dobrynya Nikitich and his fight against the three-headed dragon, Zmey Gorynych.
The son of a sorceress, armed with weapons, armour and six magically summoned knights, goes on a quest to save a princess from a vengeful wizard.
"The Last Dragon" is a nature mockumentary about a British scientific team that attempts to understand the unique incredible beasts that have fascinated people for ages. CGI is used to create the dragons.
The realm of magic is being threatened by the realm of logic, so Carolinus, the green wizard decides to shield it for all time. Ommadon, the evil red wizard, stands in his way. Carolinus then calls for a quest that is to be led by a man named Peter Dickinson, who is the first man of both the realms of science and magic. It is Peter's job to defeat Ommadon.
In an ancient time when majestic fire-breathers soared through the skies, a knight named Bowen comes face to face and heart to heart with the last dragon on Earth, Draco. Taking up arms to suppress a tyrant king, Bowen soon realizes his task will be harder than he'd imagined: If he kills the king, Draco will die as well.
In his homeland of Alagaesia, a farm boy happens upon a dragon's egg - a discovery that leads him on a predestined journey where he realized he's the one person who can defend his home against an evil king.
The peaceful Kingdom of the Wee Dragons is plunged into turmoil, when villainous Blister teams with fearsome dragon Durwyn, to overthrow King Bedwyr and force his daughter, Princess Cai, to marry the evil goblin, King Foul. Noble dragon Boil, along with his sidekick Big Gurt, journeys through time and space, meeting magical friends and foes alike, in a desperate effort to free the king, restore the land, and win the heart of the princess.
In the early years of the Tang Dynasty, the world was at peace, but there were still evil spirits in the world. The Dragon King of Jinghe was beheaded, and the Shui Waters Tribe was filled with grievances and wanted to avenge to Emperor. The demon master of Dongying used illusion skills to get the most precious treasure, and frequently used illusions to disturb the human heart. For a time rumors in the capital spread, and people panic. In order to protect the peace of the world and the people return to peace, Emperor Tang personally set up the "Royal Dragon Guard" and sent Qin Shubao to secretly act to capture the enchanting...
Due to a curse from his former master Profion, Damodar survived his death by Ridley Freeborn as an undead entity in pursuit of an evil artifact for some hundred years, so that he might be capable of unleashing unstoppable destruction on Izmir and the descendants of those who caused his demise.
Hazen Kaine, an American contract killer living in Sofia, Bulgaria, gets more than he bargains for when he enters into a contract with the mob. One last job before he gets out and starts a new life for himself. The targets: the three children of royal billionaire Andon Dupont. Seems simple enough, or so he thought. Hazen apprehends the children, and before he can blink an eye, a simple necklace worn by one of the children sends his life spiraling back to medieval times. Now completely out of his element, Hazen fights for his life as he tries to escape a medieval army and a fierce fire-breathing dragon.
