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**A film with some merits, even if it is far from the quality of the first “Dragonheart”.** After more than a handful of films, the “Dragonheart” franchise, which was carried in the arms of producer Rafaella de Laurentiis, has yet another launch. There are no great merits to point out, other than the fact that it is supposedly a prequel to the first film. The script is basically more of the same: we go back to a very remote period in the history of England, right after the end of the Roman Empire, to a place somewhere where there were dragons and a small monarchy, where a country boy ends up becoming king by being recognized as the son, never assumed, of the late local sovereign. The boy has a connection to a dragon, assumed by the marks he carries on his back, but this connection is incomplete, and it is when the kingdom is invaded by Vikings that he realizes the reason: his sister, who he thought was long dead, has returned to claim the kingdom for herself by being born a minute before her newly crowned brother! This is what I call a narrow margin win! Despite the fact that the story has absolutely no trace of originality, and that the successive and poor sequels have never even been able to match the first film, I can say that this was the film that I liked the most, right after the original, but far from it. The fight between brothers is an additional point that worked well in the plot, even if it is very silly to think that a series of Vikings will adopt a baby in a basket just because. The film features some actors who deserve a positive mention, starting with Sir Ben Kingsley, who once again voices the dragon with skill and talent. The work of Tom Harries and Jessamine Bell can be the target of some criticism, neither of them is particularly skillful, but the truth is that both managed to decently disentangle themselves from the challenge that was in their hands. The massive CGI used by the film also seems to me to be more effective, better introduced and more elegant than anything that has been used previously (except the original work, obviously). The dragon that was presented here is good, it works well and the way it behaves and interacts with humans is well imagined. What really goes wrong with this film is the amount of bad costumes, bad make-up and the excessively fanciful way in which the Middle Ages, in a very concrete and distant period, were portrayed.
In his homeland of Alagaesia, a farm boy happens upon a dragon's egg - a discovery that leads him on a predestined journey where he realized he's the one person who can defend his home against an evil king.
Bilbo Baggins the Hobbit was just minding his own business, when his occasional visitor Gandalf the Wizard drops in one night. One by one, a whole group of dwarves drop in, and before he knows it, Bilbo has joined their quest to reclaim their kingdom, taken from them by the evil dragon Smaug. The only problem is that Gandalf has told the dwarves that Bilbo is an expert burglar, but he isn't...
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
Shrek, Fiona, and Donkey set off to Far, Far Away to meet Fiona's mother and father, the Queen and King. But not everyone is happily ever after. Shrek and the King find it difficult to get along, and there's tension in the marriage. The Fairy Godmother discovers that Fiona has married Shrek instead of her son Prince Charming and plots to destroy their marriage.
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
A sorcerer and his apprentice are on a mission to kill an evil dragon to save the King’s daughter from being sacrificed according to a pact that the King himself made with the dragon to protect his kingdom.
Hazen Kaine, an American contract killer living in Sofia, Bulgaria, gets more than he bargains for when he enters into a contract with the mob. One last job before he gets out and starts a new life for himself. The targets: the three children of royal billionaire Andon Dupont. Seems simple enough, or so he thought. Hazen apprehends the children, and before he can blink an eye, a simple necklace worn by one of the children sends his life spiraling back to medieval times. Now completely out of his element, Hazen fights for his life as he tries to escape a medieval army and a fierce fire-breathing dragon.
In post-apocalyptic England, an American volunteer and a British survivor team up to fight off a brood of fire-breathing dragons seeking to return to global dominance after centuries of rest underground. The Brit - leading a clan of survivors to hunt down the King of the Dragons - has much at stake: His mother was killed by a dragon, but his love is still alive.
For years, the land of Altera has observed an uneasy peace between the humans, the elves, and the beasts who are loyal to the legendary Black Dragon. But when the dragon wakes from its hibernation, mobilizing a force of beasts to make war, a small band of humans and elves unite in a search for the secret road to the dragon’s lair.
For many years, the Dragon Guardians have been watching over the sacred fires of the ancient dragons Remur and Raganur. Then, the greedy warrior, Dragon, steals the fire of Remur and captures one of the guardians. An exciting rescue begins...