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Im a Celebrity... Unpacked - (Dec 1st)
The Equalizer - (Dec 1st)
Have I Got a Bit More News for You - (Dec 1st)
Highland Cops - (Dec 1st)
Martin Scorsese Presents- The Saints - (Dec 1st)
Countryfile - (Dec 1st)
Strictly Come Dancing- It Takes Two - (Dec 1st)
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EXOs Travel the World on a Ladder - (Dec 1st)
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Dan_Tebasco Review by Dan_Tebasco ★★★ The third Tupac Assassination film and definitly the best of the bunch, as the previous 2 were sloppily made and rather forgettable. The previous installments was TUPAC ASSASSINATION and TUPAC ASSASSINATION II: THE RECKONING (revised, rereleased and repackaged as TUPAC AFTERMATH). Now that said, this is still not a great piece of documentarial work. In fact the editing is still not that good, I do believe that Richard Bond should have left the editing to the proffesionals. Very often you are given information in form of written text and audio, and some of these times the information is different from the other so you have to be able to not only read and process what is said in written form while simultaniously processing whatever the person interviewed is saying. Which makes it a bit confusing at times and you kind of have to add 1 and 1 together to get what they are trying to say with the documentary and instead of digging deeper and deeper into some information that seems important they instead just jump to the next thin on their mind. As expected a bunch of the clips in the video are reused footage from the previous Tupac Assassination films and interviews that Jesse Surratt (aka J Mix) made for his youtube-channel which is dedicated to the life of Tupac and people that knew him (who got a producer slot on this film) and from other stuff. Another thing is they add a couple things that are pointless to the subject really, like for instance they talk about there being disputes within Death Row. Which is fine and all but some examples they give are really stupid, like for instance they have an interview with Crooked I talking about how there was a DVD made by the Crips dissing Death Row. And they make it look like this happened in 1996. First off, DVD's didn't exist in 1996. Secondly the DVD in question is a DVD called THA ROW KILLA which wasn't released until 2003, many many years after both Big and Pac had been dead and is completely irrelevant to anything in the documentary. And stuff of this nature, not too much of it luckily but some. And often names are spelled wrong and the like. So yeah needless to say it's a bit rough-handled. It also pack in a segment where they discredit the documentary/book MURDER RAP which came out last year and people then saw as the gospel of how it all went down. But learning my own experience from watching BIGGIE AND TUPAC by Nick Broomfield when it came out and thinking that Suge Knight was the man behind the killing for many years (to later realise that that was pretty dumb) I knew better than to jump to any conclusions that time around. Especially considering the fishy circumstances of the interview of the alleged driver of the shooting (which was really the only 'proof' that documentary offered). Anyway just like the documentary I'm straying a bit away from the topic here, but yeah it's a decent watch. But if you don't have any background information on Death Row records, Tupac Shakur etc etc you'll probably not understand half of what is being talked about. And even then it will probably be a bit confusing... That said, the theory given is a pretty interesting one.
July 1, 2000. British 21-year-old Lucie Blackman goes missing in Tokyo, sparking an international investigation — and an unyielding quest for justice.
A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.
An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.
Special documentary examining the death of Joy Gardner in 1993 and the subsequent public campaign that culminated in the trial at the Old Bailey of those accused of causing her death.
The 60s equivalent of Reefer Madness and all those other 30s drug exploitation flicks. Apparently, dropping acid leads to stripteases, cat fights, promiscuous sex, playing with kittens, and being convinced your dinner is much larger than it actually is. This is all illustrated in a series of silent sketches accompanied by a droll narrator who seems positively doped out of his mind.
A decade after taking a series of photographs of skinhead members of a far-right group for his book Public Enemies, Leo Regan returns to three members of the gang to see what has happened to them in the intervening years.
A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.
Two ten year-old boys are detained by police under suspicion of abducting and murdering a toddler.
Utility companies are racing to replace electricity, gas and water meters worldwide with new generation "smart" meters at an unprecedented rate. With compelling insight from insiders, researchers, government representatives, lawyers, doctors and environmentalists, Take Back Your Power investigates claimed benefits and apparent risks of this ubiquitous "smart" grid program. Transparency advocate Josh del Sol takes us on a journey of revelation and discovery, as we question corporate practices of surveillance, extortion and causing harm in the name of "green". What you discover will surprise you, unsettle you, and inspire you to challenge the status quo.
Cicada is the immersive story of a five-year-old child who witnessed a murder. Daniel P Jones confronts a traumatic memory in an incendiary, visceral monologue.