Stratford Festival: Macbeth

When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.

One day at work, unsuccessful puppeteer Craig finds a portal into the head of actor John Malkovich. The portal soon becomes a passion for anybody who enters its mad and controlling world of overtaking another human body.

A Catholic school newcomer falls in with a clique of teen witches who wield their powers against all who dare to cross them - be they teachers, rivals or meddlesome parents.

Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.

Simulpur is a village that believes in superstition so much that the local zamindar uses this ignorance to his advantage until they are all awoken from their ignorance by Parul who is labelled a witch.

Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.

Salem 1692. The young Abigail, seduced and abandoned by John Proctor, accuses John's wife of being a witch in revenge. A series of tragic trials soon befall Salem as fear and suspicion blur the lines of reality.

Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).

In 1890, in one of the villages of Ukrainian Polissia, a man died under mysterious circumstances. The locals blamed his wife, a young healer, and banished her from the village. When affliction came to the village, people believed they had been cursed by the castaway woman. They discovered she was living in the forest, found her and burned her alive as a witch. But before doing it, they sent a priest to have a final conversation with her.

In the aftermath of the Great Plague and amidst the subsequent witch-hunts against women, a young widow grapples with the tragic death of her husband in a society completely consumed by fear and death. Because she rejects the advances of her landlord, she is falsely accused of being a witch and thrown in jail for a crime she didn’t commit. She must endure physical persecution at the hands of England’s most ruthless witch-hunter and face her own inner demons as the devil himself starts to work his way into her mind.

A group of people who have escaped from their condemnation as witches, raid a witch trial. Besides rescuing the condemned witch, however, the leader of the group has a completely different goal. She wants to kill the witch judge who was also responsible for the execution of her family.