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***Hope for the broken via a quirky, forsaken race horse*** During the Depression, an undersized, “lazy” horse named Seabiscuit becomes a champion, lifting the spirits of both its team and that of the nation. Jeff Bridges plays the owner, Tobey Maguire the jockey and Chris Cooper the trainer. Valerie Mahaffey is on hand as the owner’s wife. Based on the real story, “Seabiscuit” (2003) is reminiscent in tone of another timeless historical drama starring Bridges, “Tucker: The Man and His Dream” (1988) by Francis Ford Coppola. I prefer the underrated “Tucker” because it’s snappier and less vague, but “Seabiscuit” ain’t no slouch. Like the historically-based “Jeremiah Johnson” (1972) the manner of storytelling respects the intelligence of the viewer to sometimes read between the lines. One of the best parts is the build-up to the race with War Admiral and the thrilling race itself. Not knowing the real-life events, a couple of the twists were surprising. The first act, however, seems bogged down by extraneous details about the owner. The film runs 2 hour, 19 minutes and was shot in California, New York and Kentucky. GRADE: B
It wears its sentimental heart firmly on its fetlock. As the depression era kicks in, Americans were grasping for any sort of inspiration they could get, enter equine supreme, Seabiscuit. Considered broken down, too small and untrainable, Seabiscuit went on to become a bastion of great racehorses and in the process bringing solace to those closest to it. Back in 2003 upon its initial release, critics were very divided as to the merits of Seabiscuit as a picture. Some were concerned that this adaptation from Laura Hillenbrand's highly thought of novel missed too many crucial elements, others were merely touting the tired old charge of the film purely baiting Oscar (something that is levelled at every film in history about hope and second chances), the more astute critics of the time however lauded it as the delightful and inspiring piece that it is. It would be churlish of me to not agree that Seabiscuit is laced with sentiment, rookie director Gary Ross barely wastes a chance to tug the heart strings and paint an evocative sequence, but if you have got it in you to accept this true story for its base emotional point, then it is one hell of a wonderful experience. Seabiscuit is not just about the equine beauty of the picture, it's also a fusion of three men's personal wavering, who for one reason or another need the horse for far more important crutches than those provided by financial gain, make no bones about it, Seabiscuit is a very human drama. Knowing how the picture will end never once becomes a problem, because the historical accuracy in the story makes one yearn for that grandiose ending, one to gladden the heart in the way it must have done to thousands upon thousands of Americans back in the depression era day. Ross wisely chooses to filter in as much realism as he possibly can, archive stills and narration serve as exceptional points of worth to the narrative structure. Then there is the first rate cast to fully form the emotional complexities that Seabiscuit provides. Jeff Bridges, Tobey Maguire (waif like), Chris Cooper, Elizabeth Banks, top American jockey Gary Stevens and a splendidly jaunty William H Macy, all can rightly feel proud of their respective work on this picture. Yet it's with the thundering race sequences that Seabiscuit really triumphs best, magnificent beasts hurtling around the race track are excellently handled by Ross and his cinematographer, John Schwartzman, whilst a nod of approval must go to the sound department's efforts, for this is definitely one to give your sub-woofer a work out. Seabiscuit was nominated for seven Academy Awards, winning none, perhaps the Academy also felt like those critics who thought it was trying too hard for a Golden Statue? But now after the dust has settled some years later, it pays to revisit Seabiscuit and judge it on its own emotional terms, for it's a tremendously well crafted picture that is of course as inspirational as it most assuredly is tender, a fine fine picture indeed. 9/10
In a devastating story rife with visual metaphors, Romanian director Mircea Daneliuc traces the slow mental disintegration of a confirmed gambler, using his disorder as an allusion to a greater national and social disorder. Set in the 1930s, the middle-class gambler meets an elderly man who seems to bring him good luck at the gaming tables. Rather than treasure his friendship and the good fortune it brings, the gambler takes advantage of his friend, and by his actions drives the man to suicide. Unable to reconcile his own mental demons, the gambler wanders through the house of his dead friend, and his experiences there only serve to unsettle his mind more and more and more. In the last reels of the film, the fantasies of the hero's deranged mind take over.
Mariia visits her childhood home and reminisces about the summer of 1986, when a girl named Mimi arrived in the small village and filled the life of the then 15-year-old Mariia with light.
A lyrical tale of the pure, vernal romance between a diffident, somewhat naive girl from a rural backwater and a fairly dissolute, but kind-hearted law student from Prague.
The true story of Romper Room host "Miss Sherri" Finkbine, who, after the devastating effects of thalidomide were discovered in the early 1960s, sparked a firestorm of controversy with her determination to obtain an abortion.
For the construction of the plant comes a team of ironworkers, they will carry out the installation of the blast furnace according to the new method. A film about the difficult characters of ordinary Soviet people who know how to work, dream, love - to build a great human happiness.
The former director of a large deli Pavel Shorokhov, having returned from prison and not received the expected reception from his wife, who forbade him to see his son, temporarily settles with Kotov, the owner of the lists of participants in the unaccounted goods movement system. Kotov, who is near death, transfers lists to Shorokhov and thereby puts him at risk from former accomplices. But Shorokhov breaks the pledge circle...
The life of a woman and a man at a crossroads - in two separate stories that perhaps have something in common. Ewa is an English teacher and translator, but she is hired as a caregiver for an elderly lady, whom she is to entertain with reading and conversation. Eryk works at a university, but is more interested in helping those in need rather than in literature, which - just like his quick temper - causes him a lot of problems. They both have difficult personalities and feel that they don’t get as much from life as they deserve. There could be more points of contact - a shared past or future?
Convinced that only she can lead France to victory against the invading English, Jeanne d'Arc leaves her childhood home to plead Charles, heir to the French throne, to allow her to guide his troops on the battlefield.
In this trans-species remake of Lassie, Come Home, a faithful horse undertakes a perilous journey to return to the family it loves.
The story of Ray-Ray McElrathbey, a freshman football player for Clemson University, who secretly raised his younger brother on campus after his home life became too unsteady.