Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
A masterpiece. This movie is a very faithful on how the remote Brazilian regions look like, and a very smart and realistic dystopian future movie, a genre that is very rarely well executed in Brazilian movies.
With over 200 credits on his résumé — often as a vampire or vampire-adjacent —, revered German actor Udo Kier has appeared in some very good films as well as some very bad ones; Bacurau, a retarded A Sound of Thunder/The Most Dangerous Game hybrid ripoff, falls in the latter category. The beginning is more or less promising. Tony Jr. (Thardelly Lima), mayor of the Sierra Verde municipality, to which Bacurau (which may or may not be the Portuguese word for 'bumf---') belongs, has blocked the dam and put it under the care of armed guards. His reason for doing this, though, is not very clear; Tony’s seeking re-election, but I don’t think hijacking the water supply is going to get him a lot of votes. To wit, when he visits Bacurau, the locals all lock themselves in their houses, from which they cover him in insults; their bravura, however, never reaches the sticks-and-stones phase. Oddly, the locals are so poor that their hatred of Tony does not preclude them from accepting the food he brings them, but not so poor that they don’t all have smartphones and/or tablets — and why wouldn’t they? Otherwise, the town’s Wi-Fi would go to waste. So far good, I guess. Things only really go to hell when one of the residents sees a “drone” flying with all the grace of Gazoo’s spaceship (the drone is obviously computer generated until it “lands”; then it becomes a prop). The drone belongs to a group of foreigners led by Michael (Kier, sadly not playing a vampire). Their plan is to lay waste to the place — never mind that it’s already pretty much a wasteland —, first slaughtering the population and then literally erasing the actual town from the map (or, at the very least, from Google Maps), leaving it as though nothing and nobody was ever even there at all — and that includes the villains themselves. To that purpose, “I have documents that prove we’re not here,” Michael says at one point. I’d really like to know what kind of documents those are and how exactly they work. During that same conversation someone says that they never use modern firearms, only old ones. This is also never explained. My theory is that all the impossible technology they’ve used so far has eaten up the budget for fancy weapons. One of the “hunters” complains that another killed a child; I guess their plan was to kill all the adults and leave the children to starve, or something. Needless to say, these aren’t the brightest bunch of killers. For example, they cut off the electricity in the town only to attack in broad daylight. This ineptitude mirrors that of the filmmakers, who take a premise that could might conceivably weight as social commentary and turn it into a Brazilian version of Hard Target — or Perseguição Sem Tréguas, as they call it there.
The true story of anti-apartheid activists in South Africa, and particularly the life of Patrick Chamusso, a timid foreman at Secunda CTL, the largest synthetic fuel plant in the world. Patrick is wrongly accused, imprisoned and tortured for an attempt to bomb the plant, with the injustice transforming the apolitical worker into a radicalised insurgent, who then carries out his own successful sabotage mission.
Wounded in Africa during World War II, Nazi Col. Claus von Stauffenberg returns to his native Germany and joins the Resistance in a daring plan to create a shadow government and assassinate Adolf Hitler. When events unfold so that he becomes a central player, he finds himself tasked with both leading the coup and personally killing the Führer.
A time traveling trans woman turns back time to save the woman she spent the night with from death.
Pablo, a successful film director, disappointed in his relationship with his young lover, Juan, concentrates in a new project, a monologue starring his transgender sister, Tina. Antonio, an uptight young man, falls possessively in love with the director and in his passion would stop at nothing to obtain the object of his desire.
A sheriff begins an investigation into the death of a local transsexual after hearing that high ranking politicians may have been involved. Although he is homophobic, his investigation causes him to be rejected by others, forcing him to seek help from the people he once despised.
As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo; Abhishek Verma's animated "The Fish Curry"; Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack; David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd; Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille; Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek; Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher; Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James; Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell; and Marco Alessi's "Four Quartets" with Laurie Kynaston.
In this update to Edgar Allan Poe's classic tale, it's time for the biggest gay party of the year. Unfortunately, the host has chosen the site of the infamous Ravenswood Massacre to stage his blowout gala, where a mass murder happened fifty years ago to the night. The boozie revelry is cut short when a Raven-masked killer crashes the party, intent on repeating the bloody history. As the unknown killer picks the guests off, old grudges resurface among friends, and new suspicions emerge.
After a chance encounter online, Caleb meets and falls head over heels for Jeremy. Soon the line between love and lies blur. Struggling to keep his past a secret, including his mentally ill mother, Caleb slowly succumbs to his darker side. A sudden turn of events finds Jeremy held captive, until Caleb's quest for the truth is revealed.
On the same day, Andrei's wife Nina asks for a divorce, his colleague Natasha tells him she's attracted to him, he's assigned a new project under the direction of Philip (a well-dressed, authoritative, and even arrogant stranger who keeps touching him), and he fights a gang of homophobes to protect a young gay man, Oleg. The next day, Philip takes Andrei away from the office on an odyssey into a space that is charged with spirituality and homoeroticism. Philip is no businessman, and the disclosure of who he really is forces Andrei into a series of choices that involve Natasha, Nina, belief, and love.
The Borg, a relentless race of cyborgs, are on a direct course for Earth. Violating orders to stay away from the battle, Captain Picard and the crew of the newly-commissioned USS Enterprise E pursue the Borg back in time to prevent the invaders from changing Federation history and assimilating the galaxy.
After Silvia Broome, an interpreter at United Nations headquarters, overhears plans of an assassination, an American Secret Service agent is sent to investigate.