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"Wilt" is a consistently amusing film throughout which perfectly uses the comedy of extreme embarrassment to good effect as Henry Wilt bungles his way from one improbable - yet never entirely implausible - catastrophe to the next. The many twists and turns it takes are completely unanticipated until the very end when it becomes perfectly clear Wilt's wife Eva is very much alive and she has inadvertently stumbled into the clutches of the strangler and, even though this character has been referenced elsewhere earlier on in the film, this doesn't spoil the fun in any way. The finale has lots of comedic energy running through it to sustain it until the very end and the film as a whole is satisfactorily concluded on every level.
A small but growing Texas town, filled with strange and musical characters, celebrates its sesquicentennial and converge on a local parade and talent show.
As not-quite-orderlies who're downright Disorderlies, rap-music favorites The Fat Boys rule. Playing the freewheeling caretakers of the frail Dennison, they stir up a comedic culture clash in Palm Beach society that only proves laughter is the best medicine this side of a tax refund.
In 1843, despite the fact that Dickens is a successful writer, the failure of his latest book puts his career at a crossroads, until the moment when, struggling with inspiration and confronting reality with his childhood memories, a new character is born in the depths of his troubled mind; an old, lonely, embittered man, so vivid, so human, that a whole world grows around him, a story so inspiring that changed the meaning of Christmas forever.
The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.
The true story of a disillusioned military contractor employee and his drug pusher childhood friend who became walk-in spies for the Soviet Union.
Cashier Maurice Legrand is married to Adele, a terror. By chance, he meets Lucienne, "Lulu", and make her his mistress. He thinks he finally met love, but Lulu is nothing but a streetwalker, in love with Dede, her pimp. She only accepts Legrand to satisfy Dede's needs of money.
Clay is a young man in a small town who witnesses his friend, Earl kill himself because of the ongoing affair that Clay was having with the man's wife, Amanda. Feeling guilty, Clay now resists the widow when she presses him to continue with their sexual affairs. Clay inadvertently befriends a serial killer named Lester Long, who murders the widow in an attempt to "help" his "fishing buddy."
Britannia Hospital, an esteemed English institution, is marking its gala anniversary with a visit by the Queen Mother herself. But when investigative reporter Mick Travis arrives to cover the celebration, he finds the hospital under siege by striking workers, ruthless unions, violent demonstrators, racist aristocrats, an African cannibal dictator, and sinister human experiments.
Cynical look at a 1950s rebellious Rocker who has to confront his future, thugs with knives, and the crooked town sheriff.
Imagine what it would be like if black settlers arrived to settle a continent inhabited by white natives? In 1788, the first white settlers arrived in Botany Bay to begin the process of white colonisation of Australia. But in Babakiueria, the roles are reversed in a delightful and light-hearted look at colonisation of a different kind. This satirical examination of black-white relations in Australia first screened on ABC TV in 1986 to widespread acclaim with both critics and audiences alike. This is the story of the fictitious land of Babakiueria, where white people are the minority and must obey black laws. Aboriginal actors Michelle Torres and Bob Maza (Heartland) and supported by a number of familiar faces from the time, including Cecily Polson (E-Street) and Tony Barry, who starred in major ABC-TV hits such as I Can Jump Puddles and his Penguin award-winning Scales of Justice. Babakiueria was awarded the United Nations Media Peace Prize in 1987.