A Very Natural Thing

Silent Youth is a film for misfits, dreamers and lovers. It's the classic story of a coming out, but it focuses on the moments one tends to quickly forget: the first approach, the creaking of the chair while sitting across from each other, not knowing what to say. And it's about the silence.

Rune is 14 years old and lives in the suburbs; he is different from the other boys. One day after having a fight with his dad he leaves home to hang out at the docks and be by himself. But he is not the only one there; the slightly older Benjamin is also at the docks painting graffiti on an abandon factory. Intrigued and curious Rune goes over to say hi.

San Francisco, 1985. Two opposites attract at a modern dance company. Together, their courage and resilience are tested as they navigate a world full of risks and promise, against the backdrop of a disease no one seems to know anything about.

Paulete, the star of a daring theater group, is visited by his military brother-in-law, the young Fininha. A torrid relationship arises between the two, and now the soldier must deal with the prevailing repression during the Brazilian military dictatorship.

A modern-day, all-male re telling of Shakespeare’s comedy classic about lovelorn lads, vengeful men, shameless hussies and mind games. Set in the contemporary American west, with original language.

The life of gay 16-year-old Daniel goes completely off track as he is being held responsible for the killing of a small boy who was abused and killed.

Jochen Wenzel, a young teacher, married with two kids, one day surprisingly falls in love with a young male colleague, Tom Leuthner and they begin an unusual affair (= "Eine aussergewöhnliche Affäre"). While Ina, Jochen's wife, worries about Jochen's distanced behavior without having a clue of her husband's affair, Jochen and Tom seriously fall for each other. Torn between his family and his new love, Jochen has to make a decision. Written by Smoothhoney

Mid-summer heatwave. Nikos and Alain, two male prostitutes and a female pimp, Monica, get tangled in a peculiar relationship after meeting in a dark street called POUTANA. They fall in love, play with guns and talk about card games, money and theatre castings. Is this a game of role playing the three of them have invented to pass their time in a remote, empty summer house? Have they been reading Jean Genet? Whether a mirror image of the characters’ reality or an elliptic depiction of their distorted, dream-like perception of it, I Afroditi Stin Avli, by juxtaposing disparate literary and art references, leads its isolated characters towards dissolution. And yet, in its strange language, it presents this dissolution as a triumph.

Emma goes to see her father on her birthday, but only his new boyfriend is at home.

Jason (Danny Bedford) is in a crisis. He won’t go to work and stays holed up in his flat. But when his TV breaks, he is forced to call co-worker Richard (Sean Hart) to fix it. All is normal, except when Jason mentions that a friend of his may be dead in his bed. Instead of hightailing it out of the potential murder scene, Richard (who has the hots for Jason) instead not only checks the body (yes, dead) but also proposes a homemade autopsy. And when the scalpel cuts the flesh, these two young men are now in it together. But it is not just one body, a serial killer is roaming London’s streets, but the bodies seem to all end up in Jason’s flat.

Two years after the death of his beloved wife, Pat O'Brien summons his children back to their homestead in the west of Ireland. Fionn travels from New York, Gareth from London, and daughter Una returns from Dublin, fearing the worst. Pat is not the only family member bearing the burden of a secret. The O’Briens is a modern comedy about a dysfunctional Irish family and the town they grew up in.