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Centaur lives a modest life with his family in rural Kyrgyzstan until he abruptly becomes the center of attention when he is caught stealing a racehorse at night. A story inspired by the myth when horses became the wings of men.
Lyrical tragicomedy. The eyes of the young hero, who will go through the rite of circumcision, shows the life of a Kyrgyz village on a holiday day.
Based on the novel of the same name by Chinghiz Aitmatov. The action takes place during the days of World War II in one of the villages of Kyrgyzstan. The famous artist Seit recalls his childhood, his first unrequited love for Dzhamilya, the wife of his older brother, and the wounded front-line soldier Daniyar, whose songs taught to notice beauty... A poetic story about love, the secrets of creation, the national customs of the Kyrgyz people.
Esen, a young man who has been expelled from his village, escapes with the daughter of one of the most powerful men in the village. Whilst being pursued, he is forced to fight for her hand in a battle that results in the destruction of a sacred totem tree. This puts the whole village in jeopardy, and it is up to Esen to redeem himself and save them all.
Aïdar, a young Kyrgyz man returns home from his studies in France, with a beautiful French fiancée in tow. His fiancée is warmly welcomed by the village and captivated by the beauty of the region, but he stubbornly refuses to tell his family that the two are engaged.
After living as an immigrant in the USA for 15 years, Azat flies to Kyrgyzstan to his family village. His father, Murat, died in the USA a year ago. It was his dying wish to pay back the money he owed to the villagers. Azat discovers the family home derelict. Choro, the younger brother of Murat, and their relations left a long time ago. Despite most villagers not liking him. One day, Choro, who was imprisoned because of Murat, arrives and the most important question about Murat's will is decided.
Based on true events, several stories about disempowerment of women, are closely intertwined, affecting to each other's, unfolding against the background of the traditional, patriarchal society of modern-day Kyrgyzstan ultimately result in a series of tragic outcomes. The realities of modern-day Kyrgyzstan, despite the status of a "secular state", are violence, hypocrisy, and widespread infringement of the rights of women who are stay a socially unprotected part of the population. Under the conditions of aggressive propaganda of both patriarchal and radical, religious ideology, the ideas of feminism in Kyrgyzstan are equated with the popularization of LGBTQ communities, are openly criticized and the justice system, in most cases, takes the side of murderers and rapists.
In the Issyk-Kul region of Kyrgyzstan, tradition is king. Polo's still played with a freshly killed goat and the men still marry their women the old-fashioned way: by abducting them off the street and forcing them to be their wife. Bride kidnapping is a supposedly ancient custom that's made a major comeback since the fall of Communism and now accounts for nearly half of all marriages in some parts.
One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist and society.