Big Night

Lando is married to Lorna. He took on the huge responsibility of taking care of his widowed aunt Trixia and her two children, the youngest being a moron. Because of his obligations to his aunt's family, his relationship with his wife Lorna has not been as happy and ideal as they would have liked. Aside from being needy and dependent on Lando, Trixia has been very close to Lando, a fact that is very much seen by Lorna. A deep dark secret will be eventually revealed to Lorna: that Lando and Trixia is involved romantically and that Trixia's youngest child is Lando's. In the end, Lorna will be slowly relieved of the thorns that has been weighing down on her chest.

The loving and nurturing Mariel marries Edward after his first wife abandons him and their three children. Mariel strives to win the acceptance and affection of her new stepchildren, even as she tries to define her role in the family.

Three uplifting stories of faith, compassion and courage provide the framework for this inspirational film. First, Jocelyn (Maricel Soriano), a victim of the mudslides in Leyte, finds strength in the face of tragedy; next, a family's adoption of a neglected young boy brings healing; and in the final chapter, widower Rudy Abad (Cesar Montano) decides to build a village in the Philippines in memory of his wife, who died in the Sept. 11 attacks. - Maricel Soriano, Cesar Montano, Ricky Davao

Fe returns home to the Philippines after several years of working overseas, her job a victim of global economic shifts. Fe is initially greeted with affection by her husband Dante, but he has a long history of domestic violence fueled by rage and long-term impotence, and Fe quickly discovers her time away has not changed him. Dante works in a factory making baskets, and Fe soon joins him there; she becomes the lover of Arturo, the man who manages the basket company, but while Arturo treats her well, he's still under the thumb of his father who owns the factory. Meanwhile, an unknown admirer sends her parcels of strange black fruit on a regular basis. Torn between two men who cannot give her what she needs and wants, Fe's frustration leads to take desperate steps to establish her independence.

Ian Montes is a picture of success. Despite being a son of a shipping tycoon, Ian refused to just ride in his father's empire. He built his own real estate company and earned his first million at a very young age. He never looked back since then. Driven by his ambition to become better, if not as good as his father, Ian managed to make it on his own. But behind all the glory is a man yearning for love and recognition.

An Army colonel leads a guerrilla campaign against the Japanese in the Philippines.

This sensual drama depicts the story of an inseparable couple trying to cope with the obstacle in life.

“Sisid” is the story of a videographer, played by Raymond Bagatsing, who was betrayed by women in the past and swears never to be betrayed again. He meets a nightclub performer played by de Rossi. The two have an affair, perhaps even fall in love, but Bagatsing hesitates to commit himself to her. De Rossi tells Bagatsing the story of one of her lovers, played by Rodel Velayo; Velayo was once chauffeur to the beautiful but spoiled daughter (again, de Rossi) of a wealthy fishpond operator. De Rossi is kidnapped, Velayo helps her escape; when she learns of his involvement in the plot, she leaves him. Velayo wanders about, until he meets de Rossi in the nightclub; he insists that nightclub de Rossi is really his long-lost de Rossi, and pursues her with fierce intensity. Bagatsing feels threatened by Velayo’s presence, even jealous, and the two struggle over the woman they both think they love.

After completing his training of ninjutsu within Japan, an American Angolan Bush War veteran by the name of Cole visits his war buddy Frank Landers and his newly wed wife Mary Ann, who are the owners of a large piece of farming land in the Philippines. Cole soon finds that the Landers are being repeatedly harassed by a CEO named Charles Venarius.

The plot of the movie unfolds through the testimonials of three young sisters: Uring, Luray, and Elya, who recount the grisly sexual molestation they experienced from their adoptive father Timo. The title was taken from the sisters' work as stone tillers in a quarry where most residents earn their living. Apart from being an alcoholic and gambler, Timo is a sex pervert.

Paula and Edmund are peacefully married until she meets Nicanor, a composer who happens to be their neighbor. Edmund feels troubled after seeing Paula seeing interest in Nicanor. Could it be that Nicanor is the man who will destroy their lives?