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It is a dramatization about Major Kim Man-il's service during the Korean War. The Korean forces dispatch two military units to defend the Baeti Heights led by Kim. Although it is hard to do so, Kim and his senior, Kim Mu-cheol (Choe Bong), and other soldiers do their best. Kim even risks his life to save his juniors, but many die as the enemy forces approach. Meanwhile, Lee Kang-no (Yun Il-bong), a communications officer, reads a letter from his wife - missing her and his daughter. Encouraged by it, Lee risks his life to make successful communication between his military unit and the headquarters. His unit wins. Commander Kim Man-su gathers a small number of his subordinates because many had died, and encourages them to do their best toward the enemy off.

Based on the extraordinary true story of the European city’s 1973 bank heist and hostage crisis that was documented in the 1974 New Yorker article “The Bank Drama” by Daniel Lang. The events grasped the world’s attention when the hostages bonded with their captors and turned against the authorities, giving rise to the psychological phenomenon known as “Stockholm Syndrome.”

There was a robbery in the bank where Joselito Joseco (Gary Estrada) was employed and having adapted the guts and bravery of his idol, he was able to save the loot and shoot down the robbers.

When British Railways announce the closure of the Titfield to Mallingford branch line a group of local residents make a bid to run it themselves, backed by a monied member of the community who is attracted by the complete lack of licensing hours on trains. Unfortunately the local bus company starts to use methods that can hardly be seen as fair competition.

Fashion icon Coco Chanel, steeped in wealth and fame, still issues game-changing designs and collections. The audience is taken backwards in time to the woman's upbringing in an orphanage, and traces her path to ubiquity as it winds through poverty, wars, doomed romances, and rather glamorous betrayals.

Based on actual events that occurred in Hokkaido, Japan, 1915. Rimeinzu: Utsukushiki yuusha-tachi tells the story of a group of bear hunters that are tracking a 900 pound brown bear nicknamed Red Spots that is terrorising the area. It attacks and kills men, but it feasts only on women.

The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.

Based on true events, 'Alex: The Life of a Child' follows former 'Sports Illustrated' writer Frank Deford and his wife Carole when their happy, all-American family is rocked to the core when their baby daughter Alex is diagnosed with Cystic Fibrosis. While CF sufferers were almost certainly doomed to an early death in the Seventies, Alex grew into a child who showed remarkable courage and strength in face of her illness. Her loving family were quick to rally around her, determined to show the same bravery as the little girl as they supported and cherished her through life and struggled to move on after her death at the tragically young age of eight.

Kenneth Bianchi is a security guard whose attempts to become a police officer are repeatedly thwarted. He moves to California to live with his cousin Angelo and dates a string of women, becoming increasingly preoccupied with sex. Eventually the cousins decide to start an escort agency. After violently killing a prostitute they thought had betrayed them, Kenneth and Angelo begin committing a series of crimes that become a media sensation.

Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.