Mein wunderbares West-Berlin

Heiko, 51, a sheet metal former trained in GDR times, unemployed since the fall of the wall, pisses on his bed and on the carpet. The film encounters Heiko's dysfunctional family history and his decision to be alone forever. Piss and GDR, a reflection of how deep the consequences of the fall of the Wall are still in the bodies of some people to this day.

Nat's life forever changed when he received an email that someone had been urinating in the hallway of his dorm...

When a nerd observes the nice things that can happen when a stream accidentally goes astray, he decides to try the same tactic.

Six of Japan’s emerging design talents collaborate with six models with diverse personalities and bodies, some accompanied by wheelchairs and prosthetic limbs. The Quest: to push the limits of fashion as we know it.

The post-colonial period in Papua New Guinea has seen resurgence in tribal warfare. Pepsi War follows the story of a fight between two clans, which developed from a dispute over cola bottles.

Three classmates talk about the Way of Santiago and the Galician heritage.

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Morgan Spurlock subjects himself to a diet based only on McDonald's fast food three times a day for thirty days without exercising to try to prove why so many Americans are fat or obese. He submits himself to a complete check-up by three doctors, comparing his weight along the way, resulting in a scary conclusion.

A picture of life in the West Australian capital of Perth in the mid 1960s. The social, business, sporting and other activities of an average Australian family in Perth are told through the eyes of the local newspapers.

Revisiting family archive images, Marina cannot help but wonder what would have happened if she had recorded those images. Through the modification of the footage she tries to find out if it is possible to know a person through what underlies the images. In this case, her grandmother Esther.