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Like in so many families at the start of the Great War, husband "John" kisses his wife "Elizabeth" (Claudette Colbert) and sets off for the conflict never to return. After twenty years, she has moved on with her life. She has their son "Drew" (Richard Long) and a new husband "Lawrence" (George Brent) and is facing the daunting prospect of the former keen to join up to fight in World War II. Matters take an ever more peculiar turn when her husband invites a renowned scientist to their home only for her to faintly recognise their guest. He - "Erik" (Orson Welles) instantly recognises her and as we gradually come to realise just who is who here, the drama unfolds in a gently conflicting and well paced fashion with a charming chemistry on screen between both Colbert and Welles and Colbert and the under-used but effective Brent. The make-up artists had perhaps attacked Welles with a little to much zeal, but the thrust of the story about enduring affection, tragedy and sadness is well played out by this strong cast under the able direction of Irving Pichel. Unfortunately, it's heavily over-scored: too many choirs of angelic voices towards the end, but the characterisations are convincing and the melodrama - though tantalisingly close at times, is largely kept in abeyance. The early appearance from Natalie Wood here is only really notable for whom she went on to become, but there is quite a nice contribution from Lucile Watson as the stabilising "Aunt Jessica". The ending, though predictably sad, is eerily fitting too. It has a typical post-war feel good factor to it, certainly, but it does also nod to that sense that so many families must have felt as the realisation that war was looming and that close and personal losses were imminent. At times this is quite a touching piece of cinema.
A murder trial reunites a former chorus girl and her son, a grandson of an English aristocrat.
In Imperial Russia, Anna, the wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets the charming cavalry officer Vronsky to whom she is immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.
During World War I, two German men friends who emigrated to the US and become millionaires agree on most things, with one major difference: one has taken the US side against Germany regarding the war, while the other stays stubbornly loyal to "the old country". His stubbornness results in tragedy for his old friend and a lesson in the consequences of blind loyalty.
During World War I, Army Private Arthur James Hamp is accused of desertion during battle. The officer assigned to defend him at his court-martial, Captain Hargreaves, finds out there is more to the case than meets the eye.
A middle-aged businessman who has lived a conservative life according to the routine conventions of society, still remembers the beautiful young woman who once brought him out of his shell.
In France during World War I, a charming farm girl keeps a squadron of English pilots in good spirits as best as she can. She falls for a handsome newcomer who is already engaged.
In World War I London, Myra is an American out-of-work chorus girl making ends meet by picking up men on Waterloo Bridge. During a Zeppelin air raid she meets Roy, a naive young American who enlisted in the Canadian army. After they fall for each other, Roy tricks Myra into visiting his family, who live in a country estate outside London, his mother having remarried to a retired British Major. Myra is reluctant to continue the relationship with Roy, he not aware of her past.
