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If _Mean Girls_ and _Groundhog Day_ had a baby... and then that baby stabbed you... H_appy Death Day_ is an imperfect movie that I had **such** a good time with. I was on board ever since I first saw the trailer, and though it won't be making my top 5 or anything, I definitely was not disappointed. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Happy Death Day is surprisingly great fun. It doesn't have a reason to exist other than to tell a slasher film in the Groundhog Day formula, but it's funny when it wants to be, creepy when it wants to be, and Jessica Rothe has got great screen presence. The film could have benefitted from more creative kills (and an R rating), but for a one or two time watch, Happy Death Day is sure to entertain.
Full review: https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/kill-me-baby-one-morenbsptime-happy-death-day-review _Happy Death Day_ works because Rothe is a charismatic lead, invoking the scream queen performances of yesteryear. Most of the other characters are far more secondary, so the burden falls on Rothe to bring life to a grounding role. As the lead, Tree needs to be intriguing enough for the audience to put up with the repetitive nature of the genre, but also pliable enough to allow her character to grow. Her relationship with Carter is particularly interesting because it has to both progress over the course of one day for Carter (who forgets everything as the day resets) and vary for Tree over the many different versions of the one day she lives through. Their relationship must be both a blank slate and feel as though the needle has moved forward at the end of each repeated day. Broussard and Rothe are able to sell it completely from the first time Tree wakes up confused in Carter’s bed.
**Blumhouse killed it with this one! 😜** If Groundhog's Day and Scream had a baby, it would be this entertaining gem of a movie! I went in with low expectations and was so pleasantly surprised and highly entertained. Jessica Rothe's acting is delightful, taking the typical mean girl trope and filling it with soul and charm. In a world of remakes and reboots, Happy Death Day shines with a fun plot and great acting. Definitely worth a watch.
Happy Death Day takes the classic slasher formula and flips it into a fun, self-aware time-loop mystery. The plot isn't overly deep, but it works because of its energy and pacing. The directing keeps things engaging, balancing horror, comedy, and lighthearted moments without feeling forced. While the cinematography isn't groundbreaking, it effectively builds tension when needed and plays well with the repeating-day concept. The script leans into humor and character-driven moments more than hardcore horror, which might not work for everyone but gives the movie its own identity. Jessica Rothe is the heart of the film, bringing charisma, comedic timing, and emotional range to her role, making it far more enjoyable than it would have been otherwise. The supporting cast does their job, but it's really her show. The score is serviceable, nothing too memorable, but it complements the film’s shifting tones well. Overall, it's a fun, easy-to-watch horror-comedy that doesn’t take itself too seriously. If you go in expecting a light, entertaining ride rather than a deep horror experience, it delivers exactly that.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
Threats from sinister foreign nationals aren't the only thing to fear. Bedraggled college professor Michael Faraday has been vexed (and increasingly paranoid) since his wife's accidental death in a botched FBI operation. But all that takes a backseat when a seemingly all-American couple set up house next door.
When Nina and her high school friends receive eerie text messages declaring that they will all die within three days, they dismiss it as a hokey prank - until one by one, the pals start turning up dead in the alpine countryside. With the cops stymied, Nina and her remaining friends must scour their past for clues to identify the madman before he kills them all.
Lewis, a brilliant young inventor, is keen on creating a time machine to find his mother, who abandoned him in an orphanage. Things take a turn when he meets Wilbur Robinson and his family.
Music manager Janey Edwards poses as a co-ed to get the rights to a song from one of the professors.
The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.
As a Hollywood actress begins to adopt the persona of her character in a film, her world becomes nightmarish and surreal.
The incredibly spoiled and overprivileged students of Camden College are a backdrop for an unusual love triangle between a drug dealer, a virgin and a bisexual classmate.
Private eye Philip Marlowe investigates a case of blackmail involving the two wild daughters of a rich general, a pornographer and a gangster.
Mrs. Elizabeth Bright Murdock hires Marlowe to find an old rare coin, the Brasher Doubloon, that belonged in her deceased husband's collection. Marlowe begins investigating, but quickly finds himself entangled in a series of unexplained murders.
Mysterious Orfamay Quest hires Los Angeles private investigator Philip Marlowe to find her missing brother. Though the job seems simple enough, it leads Marlowe into the underbelly of the city, turning up leads who are murdered with ice picks, exotic dancers, blackmailed television stars and self-preserving gangsters. Soon, Marlowe's life is on the line right along with his case.