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The director Mohsen Makhmalbaf made a number of acclaimed films in his native Iran over the Eighties and Nineties, but with the 1998 effort SOKOUT ("Silence") he moved farther afield for his shooting location: Tajikistan, where the locals speak a Persian dialect mostly intelligible to Iranians, but the culture is an exotic mix of Central Asian and Soviet traditions. Khorshid (Tahmineh Normatova), a blind boy aged around 10, is employed in the workshop of an instrument maker, tuning the instruments. His mother (Goibibi Ziadolahyeva), abandoned by her husband, urges him to work hard, for their landlord is demanding the rent and threatening eviction. Unfortunately, Khorshid is particularly prone to arriving late at work because he is easily distracted from his commute by the sound of music coming from the radio or street musicians. Nadereh (Nadereh Abdelahyeva), the adopted daughter of the instrument maker, tries to keep Khorshid out of trouble. This is a mystical film, by which Khorshid's desire to follow the beauty of music above all else serves as a metaphor for the renunciant's search for God. However, that mystical point is made quite subtly, and I suspect most audiences outside the region won't pick up on it. What will strike most foreign viewers is the beautiful imagery and soundtrack. Filming outside Iran in a country with less strict dress codes, Makhmalbaf's camera focuses heavily on female faces and the colourful floral prints of Dushabe's women. In Nadereh and another young cast member he captures that brief moment where girlhood gives way to womanhood. We hear a number of musical instruments from Central Asia, but besides the local folk music the dramatic opening of Beethoven's Fifth figures prominently, tying this exotic locale to a more universal ideal. Things are not entirely rosy, however. The innocence of the children is juxtaposed at a few points with the gritty reality of post-Soviet Tajikistan, now recovering from a bloody civil war and marked by poverty, child labour, and a reborn religious extremism. The running time is short at 72 minutes, which might disappoint some. Also, Makhmalbaf chose non-professionals to play the roles, and their lines are often delivered somewhat woodenly. However, such wooden dialog may have been desirable to the director, as that slow speech makes the film easier for his native Iranian audience to understand. Still, while not a major masterpiece, this is a visually and musically attractive film and worth watching for anyone wanting a slice of Central Asian drama (or at least one Iranian director's vision of it).
The true story of the frightening, lonely world of silence and darkness of 7-year-old Helen Keller who, since infancy, has never seen the sky, heard her mother's voice or expressed her innermost feelings. Then Annie Sullivan, a 20-year-old teacher from Boston, arrives. Having just recently regained her own sight, the no-nonsense Annie reaches out to Helen through the power of touch, the only tool they have in common, and leads her bold pupil on a miraculous journey from fear and isolation to happiness and light.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
Farid, who works abroad, locks himself on the last day of his stay in Beirut in his son Rawad's room, to find what he is hiding there. Separated by a locked door, the dysfunctional dynamic between them intensifies, and the past resurfaces.
Debbie was already pregnant in Indonesia before she was married to Taiwan. Her useless husband has no doubt till Debbie’s Indonesian friend visit the family...
A single mother suffers a devastating stroke leaving her teenage daughter and 7-year-old son to care for her, testing the family's strength to hold things together as their roles are reversed.
For thousands of years, evidence of life after death has eluded mankind. Science is about to change that. With the help of a physicist, a blind medium, and Thomas Edison’s final experiment, Brayden Taylor embarks on a quest to contact his deceased fiancee. For his love to transcend dimensions, he must defy the laws of quantum physics. He must defy the balance nature demands. He must defy ... Einstein’s God Model.
Drama engulfs the household of Edith Ann and her family during the holidays.
A jailed swindler leaps at the chance to earn parole in return for taking care of his estranged brother, an athlete who recently lost his sight.
When his wife sees him helping his boss' lover, a low-level manager finds his marriage in shambles.
The true story of Helen Keller and Annie Sullivan, a gripping battle to overcome impossible obstacles and the struggle to communicate. As a young girl, Helen Keller is stricken with scarlet fever. The illness leaves her blind, mute, and deaf. Sealed off from the world, Helen cannot communicate with anyone, nor anyone with her. Often frustrated and desperate, Helen flies into uncontrollable rages and tantrums that terrify her hopeless family. The gifted teacher Annie Sullivan is summoned by the family to help the girl understand the world from which she is isolated, freeing Helen Keller from her internal prison forever. Television remake of the 1962 film which also starred Patty Duke in the role of Helen Keller.
When Scott and Teresa LeRette learn that their son Austin is both autistic and has brittle bone disease, they initially worry for their son’s future. But with Scott’s growing faith and Austin’s incredible spirit, they become 'unbreakable', finding joy, gratitude, and courage even in the most trying times.