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Flight Risk 2025 - ()
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Another Cabin in the Woods Movie 2024 - ()
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Mafia Wars 2024 - ()
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From Embers 2024 - ()
An Unexpected Valentine 2025 - ()
Matt and Mara 2024 - ()
Alpacalypse 2024 - ()
The Ultimate Stack A Poker Documentary 2024 - ()
Baul Soul of Bengal 2024 - ()
Blondie Glass Heart 2024 - ()
The Paranormal UFO Connection 2024 - ()
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The director Mohsen Makhmalbaf made a number of acclaimed films in his native Iran over the Eighties and Nineties, but with the 1998 effort SOKOUT ("Silence") he moved farther afield for his shooting location: Tajikistan, where the locals speak a Persian dialect mostly intelligible to Iranians, but the culture is an exotic mix of Central Asian and Soviet traditions. Khorshid (Tahmineh Normatova), a blind boy aged around 10, is employed in the workshop of an instrument maker, tuning the instruments. His mother (Goibibi Ziadolahyeva), abandoned by her husband, urges him to work hard, for their landlord is demanding the rent and threatening eviction. Unfortunately, Khorshid is particularly prone to arriving late at work because he is easily distracted from his commute by the sound of music coming from the radio or street musicians. Nadereh (Nadereh Abdelahyeva), the adopted daughter of the instrument maker, tries to keep Khorshid out of trouble. This is a mystical film, by which Khorshid's desire to follow the beauty of music above all else serves as a metaphor for the renunciant's search for God. However, that mystical point is made quite subtly, and I suspect most audiences outside the region won't pick up on it. What will strike most foreign viewers is the beautiful imagery and soundtrack. Filming outside Iran in a country with less strict dress codes, Makhmalbaf's camera focuses heavily on female faces and the colourful floral prints of Dushabe's women. In Nadereh and another young cast member he captures that brief moment where girlhood gives way to womanhood. We hear a number of musical instruments from Central Asia, but besides the local folk music the dramatic opening of Beethoven's Fifth figures prominently, tying this exotic locale to a more universal ideal. Things are not entirely rosy, however. The innocence of the children is juxtaposed at a few points with the gritty reality of post-Soviet Tajikistan, now recovering from a bloody civil war and marked by poverty, child labour, and a reborn religious extremism. The running time is short at 72 minutes, which might disappoint some. Also, Makhmalbaf chose non-professionals to play the roles, and their lines are often delivered somewhat woodenly. However, such wooden dialog may have been desirable to the director, as that slow speech makes the film easier for his native Iranian audience to understand. Still, while not a major masterpiece, this is a visually and musically attractive film and worth watching for anyone wanting a slice of Central Asian drama (or at least one Iranian director's vision of it).
When Krisha decides to join her estranged family for a holiday dinner, tensions escalate as she struggles to keep her demons at bay.
Jamie Graham, a privileged English boy, is living in Shanghai when the Japanese invade and force all foreigners into prison camps. Jamie is captured with an American sailor, who looks out for him while they are in the camp together. Even though he is separated from his parents and in a hostile environment, Jamie maintains his dignity and youthful spirit, providing a beacon of hope for the others held captive with him.
When his wife sees him helping his boss' lover, a low-level manager finds his marriage in shambles.
An IRS agent with a fateful secret embarks on an extraordinary journey of redemption by forever changing the lives of seven strangers.
The true story of Helen Keller and Annie Sullivan, a gripping battle to overcome impossible obstacles and the struggle to communicate. As a young girl, Helen Keller is stricken with scarlet fever. The illness leaves her blind, mute, and deaf. Sealed off from the world, Helen cannot communicate with anyone, nor anyone with her. Often frustrated and desperate, Helen flies into uncontrollable rages and tantrums that terrify her hopeless family. The gifted teacher Annie Sullivan is summoned by the family to help the girl understand the world from which she is isolated, freeing Helen Keller from her internal prison forever. Television remake of the 1962 film which also starred Patty Duke in the role of Helen Keller.
Little Chie knows that her sister, 3 year-old Itsuki, is unlike her. Chie’s uncle, Mitsuo, is also unusual. Suntanned and adorned in a rustic-looking floppy hat he couldn’t look less like Chie’s neat and respectable father. But Chie is overjoyed when Mitsuo walks back into their lives, having spent three years in a mental institution, and Mitsuo, overwhelmed with emotion, dotes on his two little nieces. This brief harmony is short lived. Frustrated by her little sister, Chie drops her, causing fatal injuries. Unable to allow his niece to take the blame, Mitsuo claims responsibility, shouldering all the condemnation that ensues.
A woman wakes up next to her dead husband. She refuses the fact that he is dead and pretends to her family that he's still alive.
For thousands of years, evidence of life after death has eluded mankind. Science is about to change that. With the help of a physicist, a blind medium, and Thomas Edison’s final experiment, Brayden Taylor embarks on a quest to contact his deceased fiancee. For his love to transcend dimensions, he must defy the laws of quantum physics. He must defy the balance nature demands. He must defy ... Einstein’s God Model.
A father who is uncomfortable with the state of his family as he is craving perfection from them.
Debbie was already pregnant in Indonesia before she was married to Taiwan. Her useless husband has no doubt till Debbie’s Indonesian friend visit the family...