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A man with social anxiety gets followed by a naive and clumsy creature. Terrified the man tries to escape, unaware that the creature is actually a helper with slightly unconventional methods.

A man brings his dog to an underground fight.

A master owl tries to present the kindergarten end of year show. Unfortunately the night does not go as planned, as several unforeseen events happened, one after the other, even before the curtain came up.

A mouse invites his girlfriend to a bullfight and ends up in the ring when the matador is defeated.

A lonely man lives with his pet on a small island and longed to get to 'other people.'

Ever seen a snake with a moustache? The Middle East was as much an ideological as a physical battleground in the Second World War. In the midst of the conflict Halas & Batchelor were commissioned by the British Government to make four cartoons featuring a young boy Abu and his mule. They were intended to demonstrate in simple visual terms that Britain was a stout friend and the Axis powers a pernicious evil.

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.

A matchbox collection unites a lonely woman and her cat.

On a little planet surrounded by clouds, two robots dream about seeing the sky

A portrait of a speaker, engrossed in his own speech, finds the hall empty.