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Salyut-7 is packed with such sublime imagery that it would be possible to enjoy it without subtitles or knowledge of the Russian language — which is actually not a bad idea, because the plot has been exaggerated to such an extent that Baron Münchhausen himself wouldn’t buy it. In a nutshell, after contact with the Salyut 7 space station is lost, cosmonauts Vladimir Fyodorov (Vladimir Vdovichenkov) and Viktor Alyokhin (Pavel Derevyanko) are sent to try to commandeer the ship and repair it. The ensuing docking attempts, edited by Mariya Sergeenkova almost like a mating dance, provide the film's best sequences. Meanwhile, Sergey Astakhov and Ivan Burlakov's cinematography captures the most impressive and, dare I say, convincing outer space scenes I’ve seen since Ad Astra (which was actually released two years later). Salyut-7's visual prowess, however, isn't limited to the vastness of space, and indeed thrives equally well in the confined spaces within the ship. While in orbit, the film is in general a feast for the viewer's eyes. The problem is that the filmmakers spend too much time on Earth manufacturing unnecessary and unlikely conflicts. The mission is a race against time for two reasons. The first has to do with the idea that NASA is carrying out a mission to recover Salyut-7 and steal Soviet secrets with the space shuttle Challenger (pre-disaster, of course), bringing the station to Earth within the shuttle's cargo bay. This premise would be fine for a James Bond flick, but here it only manages to detract from the gravity, if you will, of the situation. The second reason is the limited amount of oxygen, the low temperature, and other conditions that Vladimir and Viktor have to deal with, forcing them to repair the station in a few days if they don't want to die of hypoxia and/or hypothermia. The real-life mission actually lasted 112 days (over three months), and the astronauts wore warm clothes (in the movie they don't even have gloves). Many other events are wildly hyperbolized or shamelessly made up, while others are just plain clichés — like the guy in the control center getting all thoughtful while everyone else celebrates. It's a shame, because Salyut-7 is, aesthetically speaking a perfect illustration of the apocryphal anecdote according to which NASA spent a lot of money developing a pen that could write in zero gravity ((feel free to substitute 'Nasa' with 'Hollywood' and 'pen that could write in zero gravity' with 'CGI')) while the Soviets simply used pencils.
In this animated adaptation of E. E. Doc Smith's groundbreaking science fiction serial "Grey Lensman" from the 1930s-1950s, Kimball Kinnison, a young man from the agricultural planet Mquie and his Valerian companion, Buscirk find a dying man with a legendary crystal lens embedded in his hand. As the man was dying, he mysteriously passed on the Lens to Kim. With more companions to come by, Kim must find out the purpose of the Lens before the Boskone dynasty does.
Allies of the Shadows seek revenge against humanity. This movie sets up the series, "Crusade," the sequel to "Babylon 5."
During a space voyage, four scientists are altered by cosmic rays: Reed Richards gains the ability to stretch his body; Sue Storm can become invisible; Johnny Storm controls fire; and Ben Grimm is turned into a super-strong … thing. Together, these "Fantastic Four" must now thwart the evil plans of Dr. Doom and save the world from certain destruction.
In the last moments of World War II, a secret Nazi space program evaded destruction by fleeing to the Dark Side of the Moon. During 70 years of utter secrecy, the Nazis construct a gigantic space fortress with a massive armada of flying saucers.
In the future, one can achieve immortality by obtaining a mechanized body. Orphaned, young Tetsuro hitches a ride on the space train Galaxy Express 999 in the hope of obtaining a cyborg body to avenge his mother's death. Along the way, he meets Maetel, who is the spitting image of his dead mother.
Upon discovery of a shard of what could be the Loc-Nar, a miner named Tyler becomes possessed with an insatiable hunger for power and a thirst for immortality. On his way to the planet of youth, Tyler wipes out most of a space colony and kidnaps a beautiful young woman. His only mistake is that he doesn't kill her sister, Julie, who then sets out on a mission of rescue and revenge.
On the threshold of 22nd century, furrowing the space, protagonist from the Free Search Group makes emergency landing on an unknown planet where he must stay. People who are living on this planet have remained at the stone level of the 20th century, with its social problems, miserable ecology and shaky world..
The Seventh Doctor becomes the Eighth. And on the streets of San Francisco – alongside new ally Grace Holloway - he battles the Master.
The company soldier Hannah and the scientists Gavin and Dimitri are researching an algae project on board the Rubikon space station, which is supposed to permanently supply humanity with oxygen and food. But suddenly the earth disappears below them in a brown, toxic fog and all contact is broken off - are they the last survivors of humanity? Should they initiate the safe station, dare the return flight and thereby risk their lives?
Buzz Lightyear must battle Emperor Zurg with the help of three hopefuls who insist on being his partners.
This was a project done for a AP US History course, hence the mundane performances and obvious budgetary restraints. It is in our honor to present you a glimpse into the Space Race.