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Salyut-7 is packed with such sublime imagery that it would be possible to enjoy it without subtitles or knowledge of the Russian language — which is actually not a bad idea, because the plot has been exaggerated to such an extent that Baron Münchhausen himself wouldn’t buy it. In a nutshell, after contact with the Salyut 7 space station is lost, cosmonauts Vladimir Fyodorov (Vladimir Vdovichenkov) and Viktor Alyokhin (Pavel Derevyanko) are sent to try to commandeer the ship and repair it. The ensuing docking attempts, edited by Mariya Sergeenkova almost like a mating dance, provide the film's best sequences. Meanwhile, Sergey Astakhov and Ivan Burlakov's cinematography captures the most impressive and, dare I say, convincing outer space scenes I’ve seen since Ad Astra (which was actually released two years later). Salyut-7's visual prowess, however, isn't limited to the vastness of space, and indeed thrives equally well in the confined spaces within the ship. While in orbit, the film is in general a feast for the viewer's eyes. The problem is that the filmmakers spend too much time on Earth manufacturing unnecessary and unlikely conflicts. The mission is a race against time for two reasons. The first has to do with the idea that NASA is carrying out a mission to recover Salyut-7 and steal Soviet secrets with the space shuttle Challenger (pre-disaster, of course), bringing the station to Earth within the shuttle's cargo bay. This premise would be fine for a James Bond flick, but here it only manages to detract from the gravity, if you will, of the situation. The second reason is the limited amount of oxygen, the low temperature, and other conditions that Vladimir and Viktor have to deal with, forcing them to repair the station in a few days if they don't want to die of hypoxia and/or hypothermia. The real-life mission actually lasted 112 days (over three months), and the astronauts wore warm clothes (in the movie they don't even have gloves). Many other events are wildly hyperbolized or shamelessly made up, while others are just plain clichés — like the guy in the control center getting all thoughtful while everyone else celebrates. It's a shame, because Salyut-7 is, aesthetically speaking a perfect illustration of the apocryphal anecdote according to which NASA spent a lot of money developing a pen that could write in zero gravity ((feel free to substitute 'Nasa' with 'Hollywood' and 'pen that could write in zero gravity' with 'CGI')) while the Soviets simply used pencils.
A team composed of an aerospace scientist, an ex-Air Force general, and an industrialist conceives an ambitious plan to land Americans on the moon. From their base in the Mojave Desert, they construct and successfully launch a spacecraft named "Luna" that contains a cargo of four astronauts. But a critical miscalculation of needed power to escape the moon's gravitational pull may put the astronauts' lives in danger.
Mankind must fight to survive as Earth is invaded by hostile UFOs bent on destroying the planet. As the epic battle wages on, astronauts sneak aboard the mothership where they discover a portal to the aliens' home world. They manage to alert Earth before they are brutally murdered. Left with no other choice, Earth sends an elite military team of science and combat specialists through the portal where they attempt to stop the invasion from the inside out.
A crew of miniature aliens operate a spaceship that has a human form. While trying to save their planet, the aliens encounter a new problem, as their ship becomes smitten with an Earth woman.
The true story of technical troubles that scuttle the Apollo 13 lunar mission in 1970, risking the lives of astronaut Jim Lovell and his crew, with the failed journey turning into a thrilling saga of heroism. Drifting more than 200,000 miles from Earth, the astronauts work furiously with the ground crew to avert tragedy.
After the entire flora goes extinct, ecologist Lowell maintains a greenhouse aboard a space station for the future with his android companions. However, he rebels after being ordered to destroy the greenhouse in favor of carrying cargo, a decision that puts him at odds with everyone but his mechanical companions.
Starship C57D travels to planet Altair 4 in search of the crew of spaceship "Bellerophon," a scientific expedition that has been missing for twenty years. They find themselves unwelcome by the expedition's lone survivor and warned of destruction by an invisible force if they don't turn back immediately.
Aliens have landed and are hiding on Earth, but need Earth’s scientists to help them fight an inter-planetary war.
A bunch of young and impulsive space cadets make their first real flight in space and realize that the attack they suffered wasn't a training mission. They face the Enemy alone and have the chance to save the world, and maybe to prevent the war? Can the cadets conquer the more experienced, stronger and much more evil enemy? (Written by Peter 'grin' Gervai )
A chief mechanic at a factory, haunted by apocalyptic nightmares, becomes a hero when Earth is invaded by a mysterious army bent on destruction.
During a space voyage, four scientists are altered by cosmic rays: Reed Richards gains the ability to stretch his body; Sue Storm can become invisible; Johnny Storm controls fire; and Ben Grimm is turned into a super-strong … thing. Together, these "Fantastic Four" must now thwart the evil plans of Dr. Doom and save the world from certain destruction.
Izo is an assassin in the service of a Tosa lord and Imperial supporter. After killing dozens of the Shogun's men, Izo is captured and crucified. Instead of being extinguished, his rage propels him through the space-time continuum to present-day Tokyo. Here Izo transforms himself into a new, improved killing machine.