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I have now watched the second of both Carla Simón's feature-length, award-winning films, and I have to say: I am in complete awe of her talent as a story-teller and a director. Even if (like Rainer Maria Rilke) this is the best she's got, then (also like said poet), it's more than enough. In Spain, after Franco finally died, a counter-culture movement, la movida madrileña, exploded into a party of art, music, film (Almodovar for one), and of course sex and drugs. As a direct consequence, so many people contracted HIV and died in late 80s and 90s (not only in Spain). This is a story of one child (Frida - autobiographically then, Carla Simón herself) who lost both parents, and was suddenly forced to adopt a new mother and father. The painful experience of adopting to a new family is told from the child's POV. It's heart-rending. It's beautiful. And it's brilliant: For 90 minutes, I kept asking myself "How in the hell did this director elicit those performances from not one, but TWO very young actors?" Everything about the movie rises to that level.
Two brothers, Lou and Miles, have one last chance to reconnect on the drive home after Miles has been released from a long-term psychiatric care facility.
A young boy builds a raft to reach his mother in the land of the dead, which he believes is at the end of the river that runs alongside their property.
In the class-obsessed and religiously divided UK of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell, a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams overcomes anti-Semitism and class bias, but neglects his beloved sweetheart in his single-minded quest.
Deputy Sheriff Joe "Deke" Deacon joins forces with Sgt. Jim Baxter to search for a serial killer who's terrorizing Los Angeles. As they track the culprit, Baxter is unaware that the investigation is dredging up echoes of Deke's past, uncovering disturbing secrets that could threaten more than his case.
Anne and Tom, a married nudist couple, work in a real estate office. When the agency's owner discovers that Tom is a nudist, he fires him. Unfortunately, Tom was just ready to close a big real-estate deal with Al Jenkins. Tom goes to his favorite nudist camp to take his mind off his problems and discovers that Al Jenkins is also a member of the nudist camp. Together they come up with a plan to get Tom's wife and their boss to get to the nudist camp so they can close the deal.
The leader of a small kingdom falls in love with a beautiful American girl, only to be shocked when he finds out that she's a nudist.
This and The Hot Month of August, both made in Greece, were acquired by DORIS WISHMAN for release in the United States. However, she somehow or other lost the dialogue sheets needed for dubbing the films into English. With the original dialogue a mystery, and not understanding Greek in the first place, the Grand Dame of Sexploitation simply re-invented the entire plot blissfully dubbing it away without any clue as to what was really being said, and then adding some steamy sex scenes with her own anonymous adulterers to liven things up.
Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80's she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn't want to leave without getting her daughter back.
The amazing true story of a Uruguayan rugby team's plane that crashed in the middle of the Andes mountains, and their immense will to survive and pull through alive, forced to do anything and everything they could to stay alive on meager rations and through the freezing cold.
Because the late Berlin artist Dorn failed to pay his taxes or inform the family for years, his widow Erika and daughters must urgently sell the splendid estate in Tuscany they hardly visited since his death anyhow. Eldest daughter Valerie, junior partner in fiancé Andreas Imdahl's rising architects firm, travels ahead to negotiate with the suitable candidate Robert Beck, a fellow German, who agreed trough mayor-publican Fredo to keep on caretaker Antonio 'Toni' Gianni. By the time Andreas arrives, he finds Viviane unfaithful with her study lover Stefan Korten, but is interested by Toni's daughter. Second daughter Susi and her fellow arts student fiancé Bruno Tomasi have several announcements. Mother arrives stating she decided to sell the Cologne home instead, but Robert offers an alternative. Written by KGF Vissers