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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
Cezars Kalnins installs telephones by day and composes pop songs by night. His band has a hard time receiving the permit from Soviet censorship authorities for a public debut. A member of the Culture Committee superficially listens to Cēzars' songs and deems the lyrics "unsuitable and frivolous” and "unfit for the Soviet youth”, and is later powerless to stop the grindstone of public debate, which she has herself initiated.
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
In February 2017, Journey went to Japan for a special show at Tokyo’s Budokan that featured a complete performance of 1981’s Escape and 1983’s Frontiers at the request of legendary Japanese concert promoter Mr. Udo in honor of his 50th anniversary in the business. “There’s a few songs I don’t even recall playing, like [the Frontiers track] ‘Troubled Child,” Journey guitarist Neal Schon told Rolling Stone at the time. “Digging back into that stuff has been a lot of fun.”
Examine the history of bluegrass music, from its origins to its eventual worldwide popularity, and hear from dozens of musicians who explain the ways bluegrass music transcends generational, cultural and geographic boundaries.
After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
A message from Jim Morrison in a dream prompts cable access TV stars Wayne and Garth to put on a rock concert, "Waynestock," with Aerosmith as headliners. But amid the preparations, Wayne frets that a record producer is putting the moves on his girlfriend, Cassandra, while Garth handles the advances of mega-babe Honey Hornée.
About sweeping love, rock & roll and getting rid of all that stale air of the fifties. You've got the good guys - that's Lulu and Jimi - and the bad guys: Lulu's mother Gertrud, her secret lover Schultz, the chauffeur, and a wicked old shrink, Von Oppeln, crouching in his gloomy office like a spider waiting to pounce on his prey Lulu. Light and darkness, bright garish colours, hot rock & roll and wild dance numbers mark this road movie about lovers fleeing from the evil powers of a deeply bigoted society. A drama about the relationship between a young black man and a rich German girl.
1977 documentary film created to promote the European leg of the “Rumours” tour. Includes behind-the-scenes interviews, rehearsal footage and includes footage of Fleetwood Mac performing in concert at the University of California, Santa Barbara (UCSB) in May 1976: World Turning / Rhiannon / Say You Love Me / Go Your Own Way / You Make Loving Fun / I’m So Afraid
A film featuring architect, sculptor, and musician Nobuo Kubota in a sound-sculpture performance. From within a cage-like structure filled with traditional musical instruments and sound-making devices fashioned from ordinary objects and toys, Kubota creates an aural/visual montage of musical notes and noises. Praised by music educators as a valuable tool for teaching creativity in sound exploration and musical innovation, the film reveals the infinite percussion possibilities of simple objects and presents a portrait of a versatile performer whose imagination has led him far beyond the confines of conventional music. Directed by Jonny Silver - 1982 | 20 min