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PopMaster TV - (Jan 29th)
The Chase - (Jan 29th)
Deal or No Deal - (Jan 29th)
Katy Tur Reports - (Jan 29th)
Four in a Bed - (Jan 29th)
The Real Manhunter - (Jan 29th)
Come Dine With Me- South Africa - (Jan 29th)
Andrea Mitchell Reports - (Jan 29th)
Chris Jansing Reports - (Jan 29th)
The Bidding Room - (Jan 29th)
Richard Osmans House of Games - (Jan 29th)
Tyler Perrys The Oval - (Jan 29th)
The Tucker Carlson Show - (Jan 29th)
Homes Under the Hammer - (Jan 29th)
Perfect Match - (Jan 29th)
Wild Cards - (Jan 29th)
Allegiance - (Jan 29th)
Family Feud Canada - (Jan 29th)
The Kelly Clarkson Show - (Jan 29th)
After Midnight - (Jan 29th)
How does a non-actor become the lead in the highest grossing movie of the year and then not continue to act afterwards? Do we have a new genre of film – the Docody (can I call a documentary-comedy that, because it sounded better than commedary)? Is all of this just stranger than fiction? All of these could be used to describe this film, but there is so much more to George Lazenby's life story... especially the way he tells it... So, what is it then? Firstly, Becoming Bond is not the Thin Blue Line, Grizzly Man, Bowling for Columbine, Citizenfour or any of the Oscar winning documentaries that you've seen. In Becoming Bond, Lazenby talks about his life, at times brutal honesty and poignancy. Distilled from about forty hours of interviews, it could be surmised as boy meets girl, boy becomes man, man becomes Bond – but that sells it short. George has lived an interesting life and describes it in equally engaging ways. What this means for the narrative is that sometimes the truth is not always bland... so much so that 40 minutes in: Director: How much of this story that you’ve told me is true? George: Which one? Director: The whole story... George: Hey, how can I remember it if it wasn’t true? Becoming Bond is made similarly to Touching the Void with actors dramatising parts of the story. But where that doco was drama, this is more comedic and fittingly, the acting here is playful – reminiscent of the TV series and archetypes of that era (think Batman or the Brady Bunch). Technically, the film is solid, the directing and editing are sound and the score hints at Bond themes whilst staying individual (much like George's Bond). Josh Lawson has obvious fun (he picks up George's swagger and little mannerisms well) and little cameos also pepper the film (Jane Seymour, Dana Carvey). One criticism that can be raised is that the secondary characters are very one dimensional, but I feel this is in line with the narrative of the film – it's George's take on his own life. Becoming Bond is one of the most enjoyable documentaries I've seen. It's not a perfect film; Shakespearianly dramatic; nor is it covering a life changing topic. But what makes this movie special is that its just how I'd picture it if I happened to have the good fortune to ask George the same questions over a beer or six. And thats a credit to both the filmmakers and Lazenby.
Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. The moment seemed to trigger a promising career, but her public image faded little by little until disappearing. Forty years later the traces of her existence have not been entirely erased.
Jompa Tormann and his guests and family are brutally gunned down during an engagement party. Sami- and women-hating police officer Sid Wisløff is put on the case. Together with his colleague and a Sami guide, Wisløff tries to find the guilty party, but Tormann survived and he wants revenge!
He was born in Granada, the only city in the world with an explosive name. At the age of ten he joined the Falange because he wanted to play the drum. His biggest musical influences have been Holy Week and his first host, the one he was given at birth. It was produced at the age of sixteen. A little later he began using drugs to escape. he should have died before thirty. For forty years he has hit the drums as life has hit him, with all his might.
A world of strong colours between documentary and fiction, centered on the life and work of modernist painter Amadeo de Souza Cardoso.
Second part of the biopic of a Marathi comedian, India's first stand-up comedian P. L. Deshpande.
AMIN portrays Qashqai musician Amin Aghaie, a young modern nomad and his family who despite facing steep financial, cultural and political obstacles are dedicated to their art and culture. Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family are selling their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kyiv, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition.
Takeshi Kitano is an international icon. We know the actor, the multi-award-winning filmmaker, but many ignore his double personality: the crazy TV star, the street kid from Tokyo close to the Yakuza, and the political satirist who blasted taboos! Can we dream of a better guide to introduce us to the cultural history of Japan?
Travis—a sex-addicted, multi-lingual Scientologist—travels across Thailand sharing stories and entertaining his company.
