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I wouldn’t have thought it was possible to make a movie that takes place mostly in a World War I trench and dugout could hold my attention as well as Journey’s End did. Except perhaps for the excesses of Captain Stanhope’s temper and demeanor, the ensemble cast does well with the realistic dialogue. There is an element of an ominous Greek tragedy taking place, and a couple of developments I saw coming a mile off, but that didn’t detract from my appreciation of the story and how it was told. The knowledge of the attack that was due reminded me of Hitchcock’s comment that suspense wasn’t having a bomb explode in a movie; suspense was not knowing if it would explode. The attack when it came was almost an anticlimax. It makes me interested in how this was handled as a play with the limitations of scenes on a stage. I see there are versions online, so I may check one of them out.
This isn't so much a war movie, as a movie about the impact of waiting! It features a strong and emotional performance from Sam Claflin ("Capt. Stanhope") as the borderline alcoholic who leads a platoon of squaddies in a trench in France in the Spring of 1918. They know a raid is coming - either by them, or from the opposing Bosch - but they don't know when, and so live in a heightened state of alertness and fear that challenges the wits of even the most robust of characters. The constancy of the peril has worn him down, however, and "Stanhope" is now not particularly robust - his mental fortitude is challenged above and beyond as he tries to motivate and manage the men under is command. The remainder of his outfit, including his deputy Paul Bethany ("Uncle") who tries his best to support his friend through the daily trauma as well as to inspire and support the other officers and men, and a very green Asa Butterfield ("Raleigh") try to hold things together as the inevitable tragedy looms larger by the hour. This is not an action film; indeed precious little warfare actually happens; it is much more of a poignant psychological, at times intimate evaluation of the unimaginable stress put on human beings by uncertainty, cold and apprehension; as well as of their determination, honesty and team spirit that hits home well when you are sitting in an armchair at home. Saul Dibb manages to build the tension well, and the insight into this trench warfare environment he delivers is genuinely touching. The sound could be better, though - it's difficult to hear the dialogue at times, but that's an incidental criticism of a well scored, good film.
A woman awaiting her brother's return from war falls in love with an allied American soldier.
In 1968 California, a Marine officer's wife falls in love with a former high school classmate who suffered a paralyzing combat injury in the war.
A small town policeman must investigate a suspicious hunting accident. The investigation and other events result in him slowly disintegrating mentally.
The new frontier of Venus has degenerated into a dystopia ravaged by the civil war between Ishtar and Aphrodia. Bubbly reporter Susan Sommers arrives in the capitol of Aphrodia just before it's captured by Ishtar. She falls in with a bunch of teen-agers who live for a sort of motorcycle version of Roller Derby. Daredevil rider Hiro and his friends reluctantly join the struggle to free Aphrodia from the invaders. Not surprisingly, Hiro proves an ace at piloting the mono-cycles that are the Aphrodians' secret weapon in the key battle.
An aspiring Jewish actor moves out of his parents' Brooklyn apartment to seek his fortune in the bohemian life of Greenwich Village in 1953.
A WWII film set on a Pacific island. Japanese and allied forces occupy different parts of the island. When a group of British soldiers are sent on a mission behind enemy lines, things don't go exactly to plan. This film differs in that some of the 'heroes' are very reluctant, but they come good when they are pursued by the Japanese who are determined to prevent them returning to base.
A drunken Scottish poet who has not written a word in years feels compelled to regain control of his life and work after meeting a beautiful young woman.
Nina and Madeleine have been sharing their lives and the landing between their two apartments for decades. After more than 20 years of loving in the shadows, Madeleine promises Nina she will tell her family the truth. It takes an unexpected event to show her the importance of living your truth.
Oscar François de Jarjayes was born female, but her father insisted she be raised as a boy as he had no sons. She becomes the captain of the guards at Versailles under King Louis XVI and Marie Antonette. Her privileged, noble life comes under fire as she discovers the hard life of the poor people of France. She is caught up in the French Revolution, and must choose between her loyalty and love.
A teenager's parents finally realize how bad their home life is when their son is arrested for prowling.
This High Definition, PBS miniseries uses letters, diaries, speeches, journalistic accounts, historical text and military records to document and acknowledge the sacrifices and accomplishments of African-American service men and women since the earliest days of the republic.
