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Andy Hardy goes to college after serving in the war and finds his sweetheart is engaged to someone else.
With his high school graduation behind him, Andy Hardy decides that as an adult, it's time to start living his life. Judge Hardy had hoped that his son would go to college and study law, but Andy isn't sure that's what he wants to do so he heads off to New York City to find a job. Too proud to accept any help from Betsy Booth, Andy finds that living on his own isn't so easy. With perseverance he eventually finds a job and even gets to date the pretty receptionist in his office. He also has to face several of life's lessons leading him to conclude that he may still have a bit of growing up to do.
Judge Hardy takes his family to New York City, where Andy quickly falls in love with a socialite. He finds the high society life too expensive, and eventually decides that he liked it better back home.
Young Andy develops a crush on his drama teacher. When his play is chosen as the school's annual production, Andy seizes the opportunity to spend as much time as possible with his pretty teacher. Meanwhile, Judge Hardy has his own problems when he gets conned into forming a phony aluminum corporation.
Andy is about to head off to college but he's got a few things to take care of before leaving. For starters, he must try and sell his junk car for $20 to pay for a bill and he must convince his father not to go with him to college. Worst of all is that Polly wants to make up but her best friend decides to give Andy a test.
While Judge Hardy handles a couple's divorce, Andy takes a shine to their shy daughter.
Judge Hardy guides Andy through problems with girls, money and an essay contest.
Andy Hardy, now a grown man with a wife and children, returns to his hometown on a business trip and finds himself getting mixed up in local politics.
Andy wants to buy a new car so he goes into the judge's home office where his father is about to write a $200 check to charity. He asks his dad for the $200 and they go used car shopping.
Set in an urban fairytale, DeShawn (an unlikely anti-hero) is smack-dabbing in the middle of a peculiar crossroads. He is haunted by the ghosts of one hundred men: ex-“boyfriends,” in addition to the ghosts of everyone they dated. His days are filled with spiraling epiphanies and lucid, reckless bohemianism fueled by systemic poverty and HIV ennui. In this particular sketch he is relating his philosophy of the world to an unknown caller on his landline telephone while magically shrink-fitting a new pair of jeans that he recently shoplifted from Levi’s. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.
