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wow. Ok, this is a hokey movie about a similar movie like bigfoot. The creature can use a hatchet, and bow and arrow. LOL. A 5 out of 10
I don't know what the Hell I just watched, but _Predator_ needs a fuckin' shave. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
_**MORE than just a Sasquatch creature feature and… Casey Gagliardi**_ A woman (Casey Gagliardi) in Northern California picks up her husband (Andrew Joseph Montgomery) from the state penitentiary after 13 months, but they soon find themselves lost in the woods with malevolent hunters on one side and a brutal creature on the other, not to mention a strange hermetic woman who lives in the dark woods. "Primal Rage" (2018), sometimes curiously subtitled “The Legend of Konga,” is a surprisingly well-done Bigfoot flick with authentic forest locations (listed below), a worthy cast of no-names, great creature effects, superb gore and a quality score. Not to mention cowriter/director Patrick Magee doesn’t fail to highlight Casey Gagliardi’s beauty in a tasteful way. The movie is artistic enough to transcend the Sasquatch horror genre. Anyone who appreciates deep forest thrillers, like “The Edge” (1997), “Hold the Dark” (2018) and “Into the Grizzly Maze” (2015), will find a lot to like. The problems, for me, are that (1) the depiction of the smart-aleck hunters is over-exaggerated to the point of taking you from the reality of the film and (2) the story needed more human interest or, at least, depth. For instance, “Sasquatch Mountain,” aka “Devil on the Mountain” (2006), is actually moving despite its low-budget; and “Wendigo” (2001) contains heavy spiritual food-for-thought in its brilliant low-key manner. This picture features a little of both, which is to be respected, but not enough. The ending is on the daft level of the same in “Abominable” (2006), which leaves you with a “Meh” feeling. I’d put it on par with “Exists” (2014), albeit more ambitious and imaginative. You just have to look past the eye-rolling rednecks and the out-of-place stabs at humor (which I didn’t mind so much). The film runs 1 hour, 45 minutes, and was shot in California (Smith River, Big Flat, Canyon Country, Crescent City, Fort Dick, Willow Creek, Santa Clarita & Los Angeles) and Oregon (Selma, Fall River, Cave Junction & Falls City). GRADE: B-
Based on Wes Craven's 1977 suspenseful cult classic, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carter family soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey.
In the peaceful Colorado town of Snowfield, something evil has wiped out the community. And now, it's up to a group of people to stop it, or at least get out of Snowfield alive.
A couple plots to murder a random stranger just for the thrill of it, but things turn ugly when one of them decides not to go through with it.
Two young couples take one last trip to the country before moving to different cities. Unfortunately, when secrets come out and jealously takes a toll the weekend takes an unexpected and deadly turn for the worst.
After returning home from the Vietnam War, veteran Jacob Singer struggles to maintain his sanity. Plagued by hallucinations and flashbacks, Singer rapidly falls apart as the world and people around him morph and twist into disturbing images. His girlfriend, Jezzie, and ex-wife, Sarah, try to help, but to little avail. Even Singer's chiropractor friend, Louis, fails to reach him as he descends into madness.
As a child, the brutal murder of her family made Alexis regain her hearing along with synesthetic abilities. Now as an adult, she finds solace in the sounds of bodily harm. But when she’s told she might lose her hearing again, she escalates her gruesome sound experiments in a quest to compose her masterpiece.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs - and it's absolutely impossible to contain.
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
Jigsaw has disappeared. Along with his new apprentice Amanda, the puppet-master behind the cruel, intricate games that have terrified a community and baffled police has once again eluded capture and vanished. While city detective scrambles to locate him, Doctor Lynn Denlon and Jeff Reinhart are unaware that they are about to become the latest pawns on his vicious chessboard.
The chilling and relentless Jigsaw killer returns to terrorize the city once again. When a gruesome murder victim emerges with unmistakable traces of Jigsaw's sinister methods, Detective Eric Matthews is thrust into a high-stakes investigation. To his surprise, apprehending Jigsaw seems almost too easy, but what he doesn't realize is that being caught is merely another piece of Jigsaw's intricate puzzle.
A documentary-style drama based on true accounts of the Fouke Monster in Arkansas.