The Cronenberg name is tightly associated with the body horror genre, and rightfully so. 'Possessor' feels like a fever dream, delivering unsettling violence, thought-provoking creativity and remorseless direction. Its revelations about the monsters within, summed up in its shockingly grim climax, have a lasting resonance. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-possessor-engrossingly-gross-cronenbergian-body-horror
I just wrote a review about how mainstream critics don't "get" horror, elevating attempts at filmmaking "art" over the basics that horror fans love. "Possessor" is an exception where critics (72 Metacritic Score) and users (7.6 Metacritic Score) agree that it's a pretty damn good flick. The acting is excellent. Andrea Riseborough from "Mandy" is creepy odd (again) as a mind-possessing assassin, and Christopher Abbott from "It Comes at Night" is a depressed AND possessed soul for the next assassination. There are too many adjectives to list to give the film justice, so here's just a few: disturbing, violent, bloody, mind-bending, visual, provocative, While Brandon Cronenberg may have a similar interest in melding technology and horror as his father David Cronenberg, he is introducing his own style and originality. Very much like like Joe Hill has done with father Stephen King. All of which is nothing but a bonus for horror fans.
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com In a year where the horror genre didn't have that many great representatives, Brandon Cronenberg's remarkably captivating concept is an instant attention-grabber. Boasting two phenomenal performances from Andrea Riseborough and Christopher Abbott (Colin Tate), Possessor is one of the most visually shocking films of 2020. From the extreme gore to the unrestrained depiction of insanely violent murders, Cronenberg fills his movie with creepy imagery that will definitely trigger many viewers to simply give up. Its slow pace helps establish the never-ending suspenseful atmosphere, which ultimately delivers some of the most intense sequences I've seen in a long time. Despite the interesting narrative and its eye-opening developments, Possessor fails to keep the momentum going throughout the entire runtime. The weird imagery helps with visual storytelling, but it reaches a point where it becomes too distracting and unnecessary. The third act is also quite predictable, contrasting with the somewhat surprising first half. In the end, it's still one of my favorite horror films of the year. Rating: B+
In a post-apocalyptic world, the residents of an apartment above the butcher shop receive an occasional delicacy of meat, something that is in low supply. A young man new in town falls in love with the butcher's daughter, which causes conflicts in her family, who need the young man for other business-related purposes.
A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.
Private Investigator Philip Marlowe is hired by wealthy General Sternwood regarding a matter involving his youngest daughter Carmen. Before the complex case is over, Marlowe sees murder, blackmail, deception, and what might be love.
In Japan, the vampire-hunter Saya, who is a powerful original, is sent by her liaison with the government, David, posed as a teenage student to the Yokota High School on the eve of Halloween to hunt down vampires. Saya asks David to give a new katana to her. Soon she saves the school nurse Makiho Amano from two vampires disguised of classmates and Makiho witnesses her fight against the powerful demon.
During an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia SWAT team members, a traffic reporter, and his television-executive girlfriend seek refuge in a secluded shopping mall.
A group of survivors take refuge in a shopping mall after the world is taken over by aggressive, flesh-eating zombies.
While grieving a terrible loss, a married couple meet two mysterious sisters, one of whom gives them a message sent from the afterlife.
Retired from active duty, and training recruits for the Impossible Mission Force, agent Ethan Hunt faces the toughest foe of his career: Owen Davian, an international broker of arms and information, who's as cunning as he is ruthless. Davian emerges to threaten Hunt and all that he holds dear – including the woman Hunt loves.
A private detective takes on a case that involves him with three eccentric criminals, a beautiful liar, and their quest for a priceless statuette.
A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.
An Archeology Professor and antique collector, Laphin, goes trekking through a deep jungle to the Cambodian border to see an ancient palace with two guides. They see a crazy man who runs away when he sees them and drops a small wooden statue of monkey. They keep it. They travel on and come across a village whose inhabitants have all been violently killed by what seems to have been an animal. They leave the village and meet a starving man. They share their food with him and tell him about the statue and the village. He warns them that if they keep the statue which is of the legendary monkey monster named "Kong Koy" to cover it with a small holy cloth or face the "evil". He gives them the cloth and goes. They return home and the statue is stolen by one of the Professor's students, Joe. He removes the protective cloth and conjures up the monkey monster. When Joe, Laphin's daughter Yoyo (Rungnapa "Anny" Brooke, Sherry Ann) and all her friends have a graduation party the beast strikes.