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Golden Boy in film form is almost brilliant. Joe Bonaparte is a gifted violinist, but poverty bites hard and he tries his hand at the noble art of pugilism, he proves to be a natural and a career at the top beckons, but does he risk damaging his hands and ending his interest in another noble art? Angst abound as this Rouben Mamoulian adaptation of the Clifford Odets play hits a dramatic spot, whilst simultaneously firmly being only of its time. It hasn't aged well, its dialogue and character portrayals quite simply would be scoffed at now, but this is 1939 and one really has to have the fortitude to appreciate the late 30s sensibilities to enhance the viewing experience. We follow Joe Bonapart (a wonderful and fresh faced debut from William Holden) as he is torn apart by those closest to him, family pressures, love interests and spurious heavies, all combine to pull him from pillar to post. It makes for a riveting viewing, yet after two thirds of intense character build up I found the film to be something of a let down entering the final round. Those familiar with the stage version of Golden Boy will be aware of a vastly different ending to the one we get on film, and it's a shame that the makers here wasn't brave enough to give what I believe to be the ending the film deserves. Another irritant to me was the performance of Joseph Calleia as Eddie Fuseli, where there should be menace from this gangster type fellow, we instead get over the top spivery that ultimately is way too much. Still the direction from Mamoulian perfectly frames the main characters, and Barbara Stanwyck adds a touch of class to the proceedings as the duplitious Lorna Moon. Also of note is the score from Victor Young, whilst the production value is very high indeed. Golden Boy is a film I certainly recommend to friends interested in classic cinema, but sadly to me it will always stop short of being a true classic, something I feel that the original ending would possibly have given it. 7/10
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
The year is 1750. Europe is in a ravaged state following a plague. Victor Moritz and Rufolf de Sevre are gamblers, frequenters of elegant casinos and fashionable brothels. Rudolf is a young aristocrat, charming and charismatic. His degenerate behavior has an animal intensity. Victor, though leading the life of libertine, remains to one side. He is a man of a refined taste despite his low birth and buys his noble title thanks to his gambling skills. Victor and Rudolf have been inseparable friends for years. Then two young, beautiful and innocent people - a brother and sister - enter their life...
Two men answer the call of the ocean in this romantic fantasy-adventure. Jacques and Enzo are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men. As Enzo persuades a reluctant Jacques to compete against him in a free diving contest - determining who can dive deeper and longer without scuba gear - Jacques meets Johana, a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette - whose job is to entice men - proves to be more difficult than Rath imagined.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Richard Eyre’s stunning new production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Elīna Garanča leads the cast as the iconic gypsy of the title—a woman desired by every man but determined to remain true to herself. Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by rising maestro Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.
Veteran catcher Crash Davis is brought to the minor league Durham Bulls to help their up and coming pitching prospect, "Nuke" Laloosh. Their relationship gets off to a rocky start and is further complicated when baseball groupie Annie Savoy sets her sights on the two men.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.